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This anthology of stories and poems challenges the stereotypical image of women, particularly Asian women, as passive and submissive. While the women in these stories come from diverse cultural backgrounds, their voices give poignant expression to many issues which are common-motherhood, family dynamics, economic deprivation, sexuality-questioning the patriarchal authority under which they lead their lives. Drawing upon the work of over sixty authors-from China, Mongolia, Myanmar, Bangladesh, Macau, Vietnam, Cambodia, Thailand, Afghanistan, India, Nepal, Sri Lanka, Azerbaijan, Lebanon, Iran, Iraq and many others-the book offers a filigree of existential concerns and overlapping cultural patterns reflected in the literatures of these nations, transcending political boundaries. The creativity of the women writers represented in Speaking for Myself poses an alternative image of the Asian woman-strong, innovative and inspiring-and opens possibilities for dialogue across borders through literature.… (plus d'informations)
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
Dedicated to Sarojini Naidu (1879-1949)
'Bharata Kokila' (The Nightingale of India)
My proud soul shall be unforgiven For a passionate sin it will ne'er repent, And I shall be doomed, O Love, and driven And hurled from Heaven's high battlement,... My outlawed spirit shall crave no pardon...
From 'Love Transcendent'
Premiers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
There has been a fairly sustained and continuous debate on whether there is a specific entity called 'Asian civilization and culture.' (from the foreward)
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique
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This anthology of stories and poems challenges the stereotypical image of women, particularly Asian women, as passive and submissive. While the women in these stories come from diverse cultural backgrounds, their voices give poignant expression to many issues which are common-motherhood, family dynamics, economic deprivation, sexuality-questioning the patriarchal authority under which they lead their lives. Drawing upon the work of over sixty authors-from China, Mongolia, Myanmar, Bangladesh, Macau, Vietnam, Cambodia, Thailand, Afghanistan, India, Nepal, Sri Lanka, Azerbaijan, Lebanon, Iran, Iraq and many others-the book offers a filigree of existential concerns and overlapping cultural patterns reflected in the literatures of these nations, transcending political boundaries. The creativity of the women writers represented in Speaking for Myself poses an alternative image of the Asian woman-strong, innovative and inspiring-and opens possibilities for dialogue across borders through literature.
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