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Tattoo for a Slave

par Hortense Calisher

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2011,096,692 (0.5)3
A "tattoo" is a bugle call, a summoning that lingers in the ear. Although Hortense Calisher's family eventually migrated north to New York City, the echoes of their days as a slave-owning Jewish family in the South still resonate with this acclaimed author, who uncovers a part of history never before so strongly and tenderly revealed. Calisher traces her family's years in the South and their transformative move up north, beautifully evoking the mood and texture of the early twentieth century. Her Virginia-born father, a perfume manufacturer, was twenty-two years older than her German-born mother. Marked by longer-than-normal gaps between the generations and conflicts between the mercantile and the scholarly, the "American" and the émigré, her family is characterized by Calisher as "volcanic to meditative to fruitfully dull, and bound to produce someone interested in character, society, and time."… (plus d'informations)
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Ick ick ick. This had a promising premise--an exploration of whether the author's southern Jewish family had owned slaves before the Civil War--right up my alley. There was about a chapter and a half of interesting southern background and then the rest was a memoir of the author's marriages and divorces and miscellaneous New York stuff. I forced myself to finish it in case there was some sort of revelation at the end, but NO SUCH LUCK.
August 2006 ( )
  keferunk | Sep 2, 2006 |
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A "tattoo" is a bugle call, a summoning that lingers in the ear. Although Hortense Calisher's family eventually migrated north to New York City, the echoes of their days as a slave-owning Jewish family in the South still resonate with this acclaimed author, who uncovers a part of history never before so strongly and tenderly revealed. Calisher traces her family's years in the South and their transformative move up north, beautifully evoking the mood and texture of the early twentieth century. Her Virginia-born father, a perfume manufacturer, was twenty-two years older than her German-born mother. Marked by longer-than-normal gaps between the generations and conflicts between the mercantile and the scholarly, the "American" and the émigré, her family is characterized by Calisher as "volcanic to meditative to fruitfully dull, and bound to produce someone interested in character, society, and time."

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