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Red Lights: The Lives of Sex Workers in Postsocialist China

par Tiantian Zheng

MembresCritiquesPopularitéÉvaluation moyenneMentions
2011,097,789 (3.5)1
In China today, sex work cannot be untangled from the phenomenon of rural-urban migration, the entertainment industry, and state power. In Red Lights, Tiantian Zheng highlights the urban karaoke bar as the locus at which these three factors intersect and provides a rich account of the lives of karaoke hostesses-a career whose name disguises the sex work and minimizes the surprising influence these women often have as power brokers. Zheng embarked on two years of intensely embedded ethnographic fieldwork in her birthplace, Dalian, a large northeastern Chinese seaport of over six million people.… (plus d'informations)
  1. 10
    La fabrique des femmes : Du village à l'usine : deux jeunes Chinoises racontent par Leslie T. Chang (mercure)
    mercure: Both these books deal with rural young women in China that travel to the cities looking for a better life in China's current economic boom. Ms. chang concentrates on Donghuan in the Pearl River delta in the south of China, and Ms. Zheng on Dalian in the north. Ms. Zheng also concentrates on the one profession that Ms. Chang seemed less interested in. Both deal with the social changes that China goes through at the moment, although in that sense Factory Girls seems the better book.… (plus d'informations)
  2. 00
    Nightwork: Sexuality, Pleasure, and Corporate Masculinity in a Tokyo Hostess Club par Anne Allison (mercure)
    mercure: Check for yourself how the same profession is experienced in a neighbouring country in a different decade.
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According to the author, but not substantiated by a quote, the sex industry makes up 12 % of China’s GDP, which is every reason for looking at this subject as an important element of modern China.

Ms. Zheng does so in her hometown Dalian, a former beachhead of Japanese colonialism and now again a place of heavy Japanese investment. Ms. Zheng, a “feminist” anthropologist, claims that this Japanese involvement is as important to her subject as the involvement of the Chinese government. The government’s stake is both as a consumer of the industry’s services and as a collector of tax income (the parlours are much more heavily taxed than most other industries).

The industry is peopled by women from the countryside, who run a high risk of (sexual) violence. However, it is also considered one of the few opportunities in Dalian to make good money, and for quite a few a way to move up the ladder by becoming the wife, girlfriend, or second wife of some local hot shot. Although it is not considered morally good, it allows these women to be more filial daughters than when they pursued other careers, and therefore not altogether bad.

The most interesting part of the book I found was about the role of the client. The author states that many men are tested by their superiors by the way they handle these women. It is a sign of mental strength to show a certain disdain for hostesses. Just like it gives you face to spend a lot of money on hostesses, too much generates loss of face. ( )
  mercure | Feb 2, 2010 |
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In China today, sex work cannot be untangled from the phenomenon of rural-urban migration, the entertainment industry, and state power. In Red Lights, Tiantian Zheng highlights the urban karaoke bar as the locus at which these three factors intersect and provides a rich account of the lives of karaoke hostesses-a career whose name disguises the sex work and minimizes the surprising influence these women often have as power brokers. Zheng embarked on two years of intensely embedded ethnographic fieldwork in her birthplace, Dalian, a large northeastern Chinese seaport of over six million people.

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