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Contes, essais, poèmes (1989)

par Edgar Allan Poe

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Edgar Allen Poe (1809 - 1849) was an American writer, editor, and literary critic best known for his gothic short stories and poetry. TALES OF MYSTERY & MACABRE is a collection of his best known writings, accompanied by illustrations and publication notes. It's the perfect edition for readers just discovering Poe's distinguished body of work, as well as those wishing to revisit the mysterious and terrifying writings of an American master.… (plus d'informations)
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    Don't Look Now / Not After Midnight / A Border-Line Case / The Way of the Cross / The Breakthrough par Daphne Du Maurier (KayCliff)
    KayCliff: Both du Maurier's The Breakthrough" and Poe's "The facts in the case of M. Valdemar" treat of death under hypnosis.
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I was introduced to Edgar Allan Poe as a child. My father had me memorize the eternally beautiful poem, Annabelle Lee. I fell in love with his stories as narrated by Vincent Price.

One day, my mother heard me crying in my room and came to investigate. She found me in a corner, blankets draped over the windows, a sheet over my head, listening to The Tell Tale Heart, and sobbing in fright. She asked me, "Why are you scaring yourself like that?" And I replied, "Because I love his stories so much." It was the beginning of a life long love affair.

I have since seen the home in Baltimore Maryland that Poe wrote most of his work in, and visited his gravesite, where, every year, mysteriously appears a bottle of Brandy and a dozen Red roses.

If you haven't read any of Edgar Allan Poe's works, I'm sorry for you. ( )
  Windyone1 | May 10, 2022 |
'Permanent loan' from my father. One of my early introductions to the genre ( )
  Damiella | Aug 18, 2020 |
Man. This was a struggle. The last several hundred pages (400) were just hard. I think at one point I was ready to call for a DNF, but since this is on my horror list read I wanted to finish it. Now I just feel stabby.

So Poe did write some great works (The Tell-Tale Heart, The Fall of the House of Usher, and the Raven) but he wrote a lot of...not so good poems, terribly long meandering stories, and essays. I think my brain has tried to block out a good portion of this because it just got mad at me at one point last night. It wanted to go to sleep, but I was all, no you will finish this because I am sick of this being on my currently reading list for Booklikes and Goodreads.

I would honestly say that this complete works is good to have in your library though. You can pull it down and just read any of Poe's stories instead of having to pay for single stories. But, I can see why some people rather do that, because this thing is pretty big, it takes up valuable shelf space, and a good 70 percent of the works are not good.

I honestly feel like for the most part when you look at everything Poe has done, he was kind of a one trick pony. Most of his stories revolve around similar themes, losing a loved one, someone going slowly or not so slowly mad, something supernatural making an appearance, etc.

My favorite poems from this collection were definitely Annabel Lee, and The Raven.

Here is the Annabel Lee poem:
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;--
And this maiden she lived with no other thought
Than to love and be loved by me.
She was a child and I was a child,
In this kingdom by the sea,
But we loved with a love that was more than love--
I and my Annabel Lee--
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud by night
Chilling my Annabel Lee;
So that her high-born kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in Heaven,
Went envying her and me:--
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of a cloud, chilling
And killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we--
Of many far wiser than we-
And neither the angels in Heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:--

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I see the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride,
In her sepulchre there by the sea--
In her tomb by the side of the sea.

Everything else....no.

My favorite stories were ones I had already read before. I skipped over them, but honestly I did go back and read them again later because none of the other stories stuck with me. My favorites are: The Fall of the House of Usher, The Masque of the Red Death, The Tell-Tale Heart, and the Cask of the Amontillado.

I really did not care for any of the essays, and frankly an essay maybe in my mind is not long. His essay on Eureka: A Prose Poem was about 40 freaking pages. I just felt horror trying to wade through that. ( )
  ObsidianBlue | Jul 1, 2020 |
My goodness the man's so modern, the following is written in 1836, but what could be more apposite for the Internet Age and the age of Self-Publishing and the age of Academia's Publish or Perish.

Edgar Allan Poe was an early employee of the “Southern Literary Messenger” of Richmond, Virginia. In 1836 he wrote a review of a legal tome titled “Reports of Cases Decided in the High Court of Chancery of Maryland”, and his first sentence provided a harsh assessment:

We cannot perceive any sufficient reason for the publication of this book....Now, the enormous multiplication of books in every branch of knowledge is one of the greatest evils of this age; since it presents one of the most serious obstacles to the acquisition of correct information, by throwing in the reader’s way piles of lumber, in which he must painfully grope for the scraps of useful matter, peradventure interspersed. In no department have the complaints of this evil been louder or more just, than in the law.

from the wonderful Quote Investigator, of which, no doubt, Poe would have whole-heartedly approved. http://quoteinvestigator.com/

  bringbackbooks | Jun 16, 2020 |
Edgar Allen Poe. Not much else needs to be said. This is classic mystery, horror, thriller, adventure, and scifi. This is Goth kid staple poetry.
  ghendel | Nov 28, 2018 |
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Edgar Allen Poe (1809 - 1849) was an American writer, editor, and literary critic best known for his gothic short stories and poetry. TALES OF MYSTERY & MACABRE is a collection of his best known writings, accompanied by illustrations and publication notes. It's the perfect edition for readers just discovering Poe's distinguished body of work, as well as those wishing to revisit the mysterious and terrifying writings of an American master.

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Description du livre
Baudelaire et Mallarmé ont fait de Poe un grand auteur français. Un maître du fantastique, un ancêtre de la science-fiction, un poète digne de Valéry. Mais au prix d'un énorme sacrifice, qui consistait à ignorer un tiers des contes, la moitié des poèmes et presque toute l'oeuvre critique. Cette édition offre, pour la première fois en France, la totalité des contes et des poèmes, accompagnés d'un choix d'essais critiques. Les traductions de Claude Richard et de Jean-Marie Maguin, jointes à celles de Baudelaire et de Mallarmé, font apparaître un auteur plus complexe et plus moderne. Poe est d'abord un grand humoriste qui se joue de toutes les modes littéraires, un parodiste qui arrache tous les masques. Un poète, enfin, qui ne cesse de dénoncer l'illusoire pouvoir des mots. Le seul, pourtant, qui nous soit concédé et qui nous aide à vivre. Il fallait rendre Poe à Poe, rétablir les dimensions d'une oeuvre qui, avant d'être française, reste profondément américaine. « Dans les lettres comme dans la politique, disait-il, nous avons besoin d'une Déclaration d'Indépendance, et surtout — ce qui serait mieux — d'une déclaration de guerre. » On ne saurait affirmer plus violemment son originalité.

ROBERT KOPP

Sommaire
1 - Claude RICHARD, Avertissement, pages 7 à 8, Notes
2 - Claude RICHARD, Le Mythe de Poe, pages 9 à 23, Article
3 - ANONYME, Chronologie, pages 27 à 53, Biographie
4 - Claude RICHARD, Les Contes de Poe ou les modes de la contamination, pages 57 à 71, Préface
5 - Le Club de l'in-folio (The In-Folio Club), pages 73 à 75, trad. Jean-Marie MAGUIN & Claude RICHARD
6 - Metzengerstein (Metzengerstein), pages 75 à 82, trad. Charles BAUDELAIRE
7 - Le Duc de l'omelette (The Duc de l'Omelette), pages 82 à 85, trad. Jean-Marie MAGUIN & Claude RICHARD
8 - Un événement à Jérusalem (A Tale of Jerusalem), pages 85 à 88, trad. Charles BAUDELAIRE
9 - Perte d'haleine (Loss of Breath), pages 89 à 99, trad. Jean-Marie MAGUIN & Claude RICHARD
10 - Bon-Bon (Bon-Bon), pages 99 à 112, trad. Jean-Marie MAGUIN & Claude RICHARD
11 - Manuscrit trouvé dans une bouteille (Manuscript Found in a Bottle), pages 112 à 121, trad. Charles BAUDELAIRE
12 - Le Rendez-vous (The Assignation), pages 121 à 131, trad. Jean-Marie MAGUIN & Claude RICHARD
13 - Bérénice (Berenice), pages 131 à 138, trad. Charles BAUDELAIRE
14 - Morella (Morella), pages 139 à 143, trad. Charles BAUDELAIRE
15 - Lionnerie (Lionizing), pages 143 à 148, trad. Charles BAUDELAIRE
16 - Aventure sans pareille d'un certain Hans Pfaal (The Unparalleled Adventure of One Hans Pfaall), pages 148 à 185, trad. Charles BAUDELAIRE
17 - Le Roi Peste (King Pest), pages 185 à 195, trad. Charles BAUDELAIRE
18 - Ombre (Shadow. A parable), pages 195 à 197, trad. Charles BAUDELAIRE
19 - Quatre bêtes en une (Four beasts in One. The Homo-Cameleopard), pages 198 à 204
20 - Aventures d'Arthur Gordon Pym de Nantucket (The Narrative of Arthur Gordon Pym...), pages 205 à 352, trad. Charles BAUDELAIRE
21 - Mystification (Mystification), pages 353 à 359, trad. Jean-Marie MAGUIN & Claude RICHARD
22 - Silence (Silence - A Fable), pages 359 à 362, trad. Charles BAUDELAIRE
23 - Ligeia (Ligeia), pages 362 à 375, trad. Charles BAUDELAIRE
24 - Comment écrire un article à la Blackwood (How to write a Blackwood article), pages 374 à 383, trad. Jean-Marie MAGUIN & Claude RICHARD
25 - Vie dure (A Predicament), pages 383 à 390, trad. Jean-Marie MAGUIN & Claude RICHARD
26 - Le Diable dans le beffroi (The Devil in the Belfry), pages 390 à 397, trad. Charles BAUDELAIRE
27 - L'Homme qui était refait (The Man that was used up), pages 397 à 406, trad. Jean-Marie MAGUIN & Claude RICHARD
28 - La Chute de la maison Usher (The fall of the house of Usher), pages 406 à 421, trad. Charles BAUDELAIRE
29 - Conversation d'Eiros avec Charmion (The Conversation of Eiros and Charmion), pages 421 à 426, trad. Charles BAUDELAIRE
30 - William Wilson (William Wilson), pages 426 à 442, trad. Charles BAUDELAIRE
31 - Le Journal de Julius Rodman (The Journal of Julius Rodman), pages 442 à 497, trad. Jean-Marie MAGUIN & Claude RICHARD
32 - L'Homme d'affaires (The Business Man), pages 497 à 505, trad. Jean-Marie MAGUIN & Claude RICHARD
33 - L'Homme des foules (The Man of the Crowd), pages 505 à 512, trad. Charles BAUDELAIRE
34 - Pourquoi le petit Français porte-t-il son bras en écharpe ? (Why the Little Frenchman Wears his Arm in a Sling ?), pages 512 à 516, trad. Jean-Marie MAGUIN & Claude RICHARD
35 - Double assassinat dans le Rue Morgue (The Murders in the Rue Morgue), pages 517 à 545, trad. Charles BAUDELAIRE
36 - Une descente dans le maelström (A Descent into the Maelstrom), pages 545 à 559, trad. Charles BAUDELAIRE
37 - L'Île de la fée (The Island of the Fay), pages 559 à 563, trad. Charles BAUDELAIRE
38 - Colloque entre Monos et Una (The Colloquy of Monos and Una), pages 563 à 571, trad. Charles BAUDELAIRE
39 - Ne pariez jamais votre tête au diable (Never bet the Devil your Head), pages 571 à 579, trad. Jean-Marie MAGUIN & Claude RICHARD
40 - La Semaine des trois dimanches (Three Sundays in a Week), pages 579 à 584, trad. Jean-Marie MAGUIN & Claude RICHARD
41 - Eléonora (Eleonora), pages 585 à 590, trad. Charles BAUDELAIRE
42 - Le Portrait ovale (The Oval Portrait), pages 590 à 593, trad. Charles BAUDELAIRE
43 - Le Masque de la mort rouge (The Masque of the Red Death), pages 593 à 597, trad. Charles BAUDELAIRE
44 - Le Jardin paysage (The Landscape-garden), pages 598 à 605, trad. Jean-Marie MAGUIN & Claude RICHARD
45 - Le Mystère de Marie Roget (The Mystery of Marie Roget), pages 605 à 646, trad. Charles BAUDELAIRE
46 - Le Puits et le pendule (The Pit and the Pendulum), pages 646 à 658, trad. Charles BAUDELAIRE
47 - Le Coeur révélateur (The Tell-Tale Heart), pages 659 à 663, trad. Charles BAUDELAIRE
48 - Le Scarabée d'or (The Gold Bug), pages 663 à 693, trad. Charles BAUDELAIRE
49 - Le Chat noir (Black cat (The)), pages 693 à 700, trad. Charles BAUDELAIRE
50 - De l'escroquerie considérée comme l'une des sciences exactes (Diddling Considered as One of the Exact Sciences), pages 701 à 709, trad. Jean-Marie MAGUIN & Claude RICHARD
51 - Un matin sur le Wissahiccon (Morning on the Wissahiccon), pages 709 à 713, trad. Jean-Marie MAGUIN & Claude RICHARD
52 - Les Lunettes (The Spectacles), pages 713 à 732, trad. Jean-Marie MAGUIN & Claude RICHARD
53 - Les Souvenirs de M. Auguste Bedloe (A tale of the Ragged Mountains), pages 733 à 741, trad. Charles BAUDELAIRE
54 - Le Canard au ballon (The Balloon Hoax), pages 741 à 752, trad. Charles BAUDELAIRE
55 - L'Enterrement prématuré (The Premature Burial), pages 752 à 764, trad. Jean-Marie MAGUIN & Claude RICHARD
56 - Révélation magnétique (Mesmeric Revelation), pages 764 à 773, trad. Charles BAUDELAIRE
57 - La Caisse rectangulaire (The Oblong Box), pages 773 à 782, trad. Jean-Marie MAGUIN & Claude RICHARD
58 - L'Ange du bizarre (The Angel of the Old - An Extravaganza), pages 783 à 791, trad. Charles BAUDELAIRE
59 - Le Voilà, l'assassin (Thou Art the Man), pages 791 à 802, trad. Jean-Marie MAGUIN & Claude RICHARD
60 - La Vie littéraire de Monsieur Thingum Bob (The Literary Life of Thingum Bob), pages 803 à 819, trad. Jean-Marie MAGUIN & Claude RICHARD
61 - La Lettre volée (The Purloined Letter), pages 819 à 834, trad. Charles BAUDELAIRE
62 - Le Mille deuxième conte de Schéhérazade (The Thousand-and-Second Tale of Scheherazade), pages 834 à 848, trad. Jean-Marie MAGUIN & Claude RICHARD
63 - Petite discussion avec une momie (Some Worlds with a Mummy), pages 848 à 862, trad. Charles BAUDELAIRE
64 - Puissance de la parole (The Power of Words), pages 862 à 866, trad. Charles BAUDELAIRE
65 - Le Démon de la perversité (The Imp of the Perverse), pages 866 à 871, trad. Charles BAUDELAIRE
66 - Le Système du docteur Goudron et du professeur Plume (The System of Dr. Tarr and Prof. Fether), pages 871 à 887, trad. Charles BAUDELAIRE
67 - La Vérité sur le cas de M. Valdemar (The facts in the case of Mr Valdemar), pages 887 à 894, trad. Charles BAUDELAIRE
68 - Le Sphinx (The Sphinx), pages 894 à 898, trad. Jean-Marie MAGUIN & Claude RICHARD
69 - La Barrique d'Amontillado (The Cask of Amontillado), pages 898 à 903, trad. Charles BAUDELAIRE
70 - Le Domaine d'Arnheim (The Domain of Arnheim), pages 904 à 916, trad. Charles BAUDELAIRE
71 - Mellonta Tauta (Mellonta Tauta), pages 917 à 928, trad. Jean-Marie MAGUIN & Claude RICHARD
72 - Hop-Frog (Hop-Frog), pages 929 à 936, trad. Charles BAUDELAIRE
73 - Von Kempelen et sa découverte (Von Kempelen and his Discovery), pages 936 à 942, trad. Jean-Marie MAGUIN & Claude RICHARD
74 - Le Paragrave aux X (X-ing a Paragrab), pages 942 à 947, trad. Jean-Marie MAGUIN & Claude RICHARD
75 - Le Cottage Landor (Landor's Cottage), pages 947 à 959, trad. Charles BAUDELAIRE
76 - Essais, pages 961 à 1061, Article
77 - Marginalia (Marginalia), pages 1063 à 1109, Article, trad. Jean-Marie MAGUIN & Claude RICHARD
78 - Eureka (Eureka), pages 1111 à 1193, Article, trad. Charles BAUDELAIRE
79 - Poèmes, pages 1195 à 1282, Poésie
80 - Le Corbeau (The Raven), pages 1270 à 1272, Poésie, trad. Stéphane MALLARMÉ
81 - Claude RICHARD, Notes, pages 1283 à 1577, Notes
82 - Claude RICHARD, Bibliographie, pages 1579 à 1594, Bibliographie
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