AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

The Call of the Toad par Gunter Grass
Chargement...

The Call of the Toad (original 1992; édition 1993)

par Gunter Grass, Ralph Manheim (Traducteur)

MembresCritiquesPopularitéÉvaluation moyenneMentions
404463,092 (3.28)7
'Gdansk 1989. A polish woman, a guilding specialist, meets a German man, a professor in art history. A walk together in a graveyard gives rise to an ambition to establish a Cemetery of Reconciliation as a mark of the times and their spirit of unity... The satire is sharp, the analysis precise, and Grass is still expert in drawing out the painful comedy of human behaviour and the pitfalls that await good intentions' - The New Yorker From the Nobel Prize-winning author of The Tin Drum comes a satire of european politics and a love story.… (plus d'informations)
Membre:lmsmi22
Titre:The Call of the Toad
Auteurs:Gunter Grass
Autres auteurs:Ralph Manheim (Traducteur)
Info:Harvest Books (1993), Paperback, 248 pages
Collections:Votre bibliothèque
Évaluation:*****
Mots-clés:bought, used book store

Information sur l'oeuvre

The Call of the Toad par Günter Grass (1992)

Récemment ajouté parbibliothèque privée, fco.caceres, joelabra, MuhammedSalem, DennisFrank, ram_n, jrzaballos, CodyWard
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 7 mentions

4 sur 4
Alexander and Alexandra are strangers who get into conversation after they bump into each other at a flower stall in the Dominican market hall in Gdánsk on All Souls' Day 1989. One thing leads to another, a cemetery visit is followed by a mushroom (Steinpilz/porcini) supper, and the two of them also cook up, first, an interesting business idea, and second, what turns into a serious relationship. They are both widowed and around sixty, and they were both exiled in their teens by the border-changes of 1945, he as a German from Danzig/Gdánsk and she as a Pole from Wilno/Vilnius. Their sharing of family memories leads them to the grand scheme: a service to allow exiles like their parents and themselves to profit from the end of the Cold War and seek burial in the places where they came from.

The German-Polish-Lithuanian Funeral Company soon becomes a reality: they are clearly tapping into a serious demand, and the money starts rolling in. And of course it soon starts going wrong, the idealistic notions of reconciliation in death are overtaken by the demands of free-market capitalism, and Alexander and Alexandra find themselves repelled by the monster they have created.

Grass, of course, enjoys nothing more than being the lonely pessimistic toad raining on the West German parade of reunification and the end of the iron curtain. He had great fun in those days, when he was being attacked in editorials and political speeches practically non-stop. And it probably gave him a certain satisfaction to have been largely right about all the things that the free market was going to smash up in the former socialist states. He didn't quite manage to predict the rise of populist nationalism in places like Poland and Hungary, but he did put his finger on a lot of the external causes of that trend. And this is also a lively story, with a lot of detail about Gdánsk and the way its German and Polish sides come together, and some entertaining characters like the octogenarian Erna Brakup with her felt hat and antediluvian Danzig-German dialect, or the British-Bengali Mr Chatterjee, who is developing a pedal-rickshaw empire across Polish cities and takes over part of the Lenin Shipyard to build his own rickshaws. ( )
1 voter thorold | Jan 15, 2023 |
Minor Grass, without question, yet I harbor a sentimental link to the book as I read days before travelling to Rome. ( )
  jonfaith | Feb 22, 2019 |
A funny novel of the clash of the past and the future--when it becomes environmentally sound to reuse cemetery space in old Europe. ( )
  chellerystick | Nov 5, 2007 |
Macabre humor and deft narrative control spice this doleful, satiric tale of love, mortality and politics in a changing Eastern Europe from the pen of the contemporary German master. When Alexander Reschke first meets Alexandra Piatkowska, she is on her way to a cemetery in Gdansk, Poland. The two discover they have much in common: she is a middle-aged Polish widow, he a German widower; she is an art restorer specializing in gilding, he a professor of art history specializing in tombstones; both were displaced from their birthplaces by the redrawing of borders after WW II; both champion the deceased's right to be returned home for burial. As their romance quickly blooms, so do their shared ambitions; over a bottle of wine they found the Polish-German-Lithuanian Cemetery Association (PGLCA). Soon they have an international board of directors and acres of burial land in Gdansk, and the corpses of dead Germans (born there when it was Danzig, Germany), along with the survivors' mighty Deutschemarks, are sent their way in daunting quantities. But the forces of capitalism overwhelm the pair's good intentions, and they find themselves building resorts and golf courses on the would-be burial ground. Grass ( The Tin Drum ; Two States--One Nation? ) tells their story in the voice of Alexander's former schoolmate, who has been commissioned to write a history of the PGLCA. This insightful, reluctant narrator cites photographs, recordings, videotapes, receipts and Alexander's diaries--interjecting the occasional editorial remark--to portray a strange love affair and odd benevolence gone awry.
  antimuzak | Dec 19, 2007 |
4 sur 4
aucune critique | ajouter une critique

» Ajouter d'autres auteur(e)s (7 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Grass, Günterauteur principaltoutes les éditionsconfirmé
Manheim, RalphTraducteurauteur secondairequelques éditionsconfirmé

Appartient à la série éditoriale

Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Informations provenant du Partage des connaissances néerlandais. Modifiez pour passer à votre langue.
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais (2)

'Gdansk 1989. A polish woman, a guilding specialist, meets a German man, a professor in art history. A walk together in a graveyard gives rise to an ambition to establish a Cemetery of Reconciliation as a mark of the times and their spirit of unity... The satire is sharp, the analysis precise, and Grass is still expert in drawing out the painful comedy of human behaviour and the pitfalls that await good intentions' - The New Yorker From the Nobel Prize-winning author of The Tin Drum comes a satire of european politics and a love story.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.28)
0.5
1 4
1.5
2 3
2.5 1
3 13
3.5 3
4 12
4.5 1
5 4

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 206,414,057 livres! | Barre supérieure: Toujours visible