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Chargement... All Things Must Pass (original 1970; édition 1970)par George Harrison
Information sur l'oeuvreAll Things Must Pass [1970 Sound Recording Album] par George Harrison (1970)
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. INFORMATION-This original three disc album contains the following tracks: Disc One A1 - (2:50) I'd Have You Anytime A2 - (4:39) My Sweet Lord A3 - (5:35) Wah-Wah A4 - (7:10) Isn't it a Pity (Version One) B1 - (4:18) What is Life B2 - (4:27) If Not for You B3 - (3:03) Behind That Locked Door B4 - (4:55) Let it Down B5 - (2:52) Run of the Mill Disc Two A1 - (3:47) Beware of Darkness A2 - (3:06) Apple Scruffs A3 - (3:47) Ballad of Sir Frankie Crisp (Let it Roll) A4 - (3:44) Awaiting on You All A5 - (3:46) All Things Must Pass B1 - (4:54) I Dig Love B2 - (3:35) Art of Dying B3 - (4:46) Isn't it a Pity (Version Two) B4 - (5:46) Hear Me Lord Disc Three - Apple Jam A1 - (11:17) Out of the Blue A2 - (0:49) It's Johnnie's Birthday A3 - (3:15) Plug Me in B1 - (6:59) I Remember Jeep B2 - (5:26) Thanks for the Pepperoni
Without a doubt, George Harrison's first solo recording, originally issued as a triple album, is his best. Drawing on his backlog of unused compositions from the late Beatles era, Harrison crafted material that managed the rare feat of conveying spiritual mysticism without sacrificing his gifts for melody and grand, sweeping arrangements. Enhanced by Phil Spector's lush orchestral production and Harrison's own superb slide guitar, nearly every song is excellent: "Awaiting on You All," "Beware of Darkness," the Dylan collaboration "I'd Have You Anytime," "Isn't It a Pity," and the hit singles "My Sweet Lord" and "What Is Life" are just a few of the highlights. A very moving work, with a slight flaw: the jams that comprise the final third of the album are somewhat dispensable, and have probably only been played once or twice by most of the listeners who own this record. Those same jams, however, played by Eric Clapton, Carl Radle, Bobby Whitlock, and Jim Gordon (all of whom had just come off of touring as part of Delaney & Bonnie's band), proved to be of immense musical importance, precipitating the formation of Derek & the Dominos. Thus, they weren't a total dead end, and may actually be much more to the liking of the latter band's fans. Fait l'objet d'une version longue dans
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Google Books — Chargement... GenresAucun genre Classification décimale de Melvil (CDD)781.66The arts Music General principles and musical forms Traditions of music Rock {equally instrumental and vocal}Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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Writing technique: B
Writing musicality: A
Performance technique: B
Performance musicality: B
Arrangements: D
Coherence/concept: D
Pacing/listenability: D
Recording/mastering: D
Cover art: C
Enjoyment: B
GPA: 2.2/4 ( )