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An American Index of the Hidden and Unfamiliar

par Althea Wasow

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"I am always immensely grateful to people who do impossible things on my behalf and bring back the picture. It means I don't have to do it, but at least I know what it looks like." This is what Salman Rushdie wrote about artist Taryn Simon in his essay in this volume. And, in fact, in her famous series of works, which she finished in 2007, Simon (*1975) does indeed show the hidden, the forbidden and inaccessible within American borders. She reveals what lies concealed beneath the surface of America's mythology and daily functioning. After conducting painstaking negotiations, she uses her large-format camera to capture what is usually only reserved for the initiated: containers of radioactive nuclear waste, the CIA's art collection, the outdoor facility of a "body farm," or the inside of a hibernating bear's cave. The artist annotates each of her almost sixty pictures with descriptive texts highlighting the complexities of both her subjects and the relationship between text and image.… (plus d'informations)
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In An American Index of the Hidden and Unfamiliar, Taryn Simon documents spaces that are integral to America's foundation, mythology and daily functioning, but remain inaccessible or unknown to a public audience. She has photographed rarely seen sites from domains including: science, government, medicine, entertainment, nature security and religion. This index examines subjects that, while provocative or controversial, are currently legal. The work responds to a desire to discover unknown territories, to see everything. Simon makes use of the annotated-photograph's capacity to engage and inform the public. Transforming that which is off-limits or under-the-radar into a visible and intelligible form, she confronts the divide between the privileged access of the few and the limited access of the public. Photographed with a large format view camera (except when prohibited), Simon's 70 color plates form a seductive collection that reflects and reveals a national identity. In addition to this monograph, there is also an exhibition of Simon's work opening at the Whitney Museum of American Art in March 2007.
  petervanbeveren | Jan 10, 2021 |
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Althea Wasowauteur principaltoutes les éditionscalculé
Rushdie, SalmanAvant-proposauteur secondairequelques éditionsconfirmé
Sussman, ElisabethIntroductionauteur secondairequelques éditionsconfirmé
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"I am always immensely grateful to people who do impossible things on my behalf and bring back the picture. It means I don't have to do it, but at least I know what it looks like." This is what Salman Rushdie wrote about artist Taryn Simon in his essay in this volume. And, in fact, in her famous series of works, which she finished in 2007, Simon (*1975) does indeed show the hidden, the forbidden and inaccessible within American borders. She reveals what lies concealed beneath the surface of America's mythology and daily functioning. After conducting painstaking negotiations, she uses her large-format camera to capture what is usually only reserved for the initiated: containers of radioactive nuclear waste, the CIA's art collection, the outdoor facility of a "body farm," or the inside of a hibernating bear's cave. The artist annotates each of her almost sixty pictures with descriptive texts highlighting the complexities of both her subjects and the relationship between text and image.

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