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The Brass Go-Between (1969)

par Ross Thomas

Séries: Philip St. Ives (#1)

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862313,273 (3.82)2
First in the series from an Edgar Award-winning author of "stylish, well-told suspense novels enlivened with a dash of wit" (The New York Times).   Philip St. Ives is the kind of man who can convince a vice cop and a paroled mobster to sit down to a hand of poker. Once he was a reporter with a daily column, a fat Rolodex, and a reputation for indifference to criminal behavior. Now he is a go-between, a professional mediator between thieves and the people they rip off. For arranging the recovery of a stolen necklace, painting, or child, St. Ives takes ten percent of the ransom. His work takes him across the globe, but more importantly, it pays his alimony.   An African warrior's shield has come to Washington, where a gang of art-minded burglars pluck it from the museum. They demand $250,000 for the return of the priceless artifact, and request that St. Ives make the hand-off. But when he goes to deliver the cash, he finds himself playing a more deadly game than five-card draw.… (plus d'informations)
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The Philip St. Ives series was written by Ross Thomas under the Oliver Bleeck pseudonym. I can't decide, after reading this first in the series, whether St. Ives more resembles Archie Goodwin or Dortmunder or even Stanley Hastings, probably a combination of each.

St. Ives has developed a reputation for being an honest go-between, that is, he delivers money to kidnappers, ransom demands; an intermediary who can be trusted not to rip off either party. So when a famous antique African shield is stolen from a museum and the thieves request $250,000 in small bills for its return, St, Ives is a logical choice to deliver the money.

Being an exceedingly cautious man, he decides to check out a few things, especially after the body of the security guard is found. Then the man's wife commits suicide, then we learn the museum director's husband was killed in a car accident four weeks earlier, a crooked cop who tried to horn in on the deal with St. Ives is murdered, and things get a bit complicated. Of course since they were written in the sixties, everyone needed to use a pay phone and hotel rooms were $16 a night and $250,000 was a heck of a lot of money.

It' s a good story with the conversation so reminiscent of some of my favorite characters that I will most certainly read the rest of the books in the series. ( )
  ecw0647 | May 28, 2019 |
An African artifact has been stolen by thieve specializing in art heists. They have offered the museum $250,000 to buy it back and want Philip St. Ives to facilitate the exchange, shield for money. Philip is a character so real-to-life with hangups just like the rest of us. What is not so alike is his occupation. He is a self professed go-between; the broken between kidnapper and ransom, blackmailer and reward, and in this case, art and buy back "fee." Philip always takes a piece of the reward as a charge for his services but he considers himself a professional mediator and refuses to take sides. He will not help the police catch the criminals and he will not commit a crime to carry out the deal (or try not to at any rate). Having said all that, it wouldn't be a thriller if something didn't go wrong with the exchange of money for the African shield. Despite its short length Bleeck packs a ton of adventure into The Brass Go-Between. ( )
  SeriousGrace | Feb 22, 2013 |
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First in the series from an Edgar Award-winning author of "stylish, well-told suspense novels enlivened with a dash of wit" (The New York Times).   Philip St. Ives is the kind of man who can convince a vice cop and a paroled mobster to sit down to a hand of poker. Once he was a reporter with a daily column, a fat Rolodex, and a reputation for indifference to criminal behavior. Now he is a go-between, a professional mediator between thieves and the people they rip off. For arranging the recovery of a stolen necklace, painting, or child, St. Ives takes ten percent of the ransom. His work takes him across the globe, but more importantly, it pays his alimony.   An African warrior's shield has come to Washington, where a gang of art-minded burglars pluck it from the museum. They demand $250,000 for the return of the priceless artifact, and request that St. Ives make the hand-off. But when he goes to deliver the cash, he finds himself playing a more deadly game than five-card draw.

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