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-- Kafka on the Shore Here are animated crows, a criminal monkey, and an iceman, as well as the dreams that shape us and the things we might wish for. Whether during a chance reunion in Italy, a romantic exile in Greece, a holiday in Hawaii, or in the grip of everyday life, Murakami's characters confront grievous loss, or sexuality, or the glow of a firefly, or the impossible distances between those who ought to be closest of all.… (plus d'informations)
bookmomo: Hoewel ze zelf geen groot fan is van Murakami, deden zijn verhalen me aan haar werk denken. Elk heeft zijn eigen forte, maar in hun beider beste verhalen overvalt je een sfeer van vervreemding in het dagelijks leven.
Just as fiction that is purely mundane can be, well, mundane, fiction that is only fantastic is often only dull. Authors such as Paul Auster and Jonathan Carroll are successful precisely because they don't write in one mode or the other, but rather in both, and at the same time. By placing the mundane next to the fantastic these authors are able to show us the beauty of such everyday affairs as coffee or conversation; by placing the fantastic next to the mundane they provide the contrast necessary for readers to discern what makes their fancy other than facile.
No one does this better than Haruki Murakami . . . .
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
When I closed my eyes, the scent of the wind wafted up towards me.
Citations
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
Unlike my first friend, who’d killed himself, these friends never had the time to realize that they were dying. For them it was like climbing up a staircase they’d climbed a million times before and suddenly finding a step missing. (New York Mining Disaster)
It strikes me now that most of the girls in my generation--the moderates, you might dub them--whether virgins or not, agonized over the whole issue of sex. They didn't insist that virginity was such a precious thing, nor did they denounce it as some stupid relic of the past. So what actually happened--sorry, but I'm generalizing again--was that they went with the flow. It all depended on the circumstances and the partner. (A Folklore For My Generation: A Pre-history of Late Stage Capitalism)
I had no real impression of her at all. And it's hard to have a bad impression of somebody you have no impression of. (The Year of Spaghetti)
Thinking about spaghetti that boils eternally but is never done is a sad, sad thing. (The Year of Spaghetti)
Can you imaging how astonished the Italians would be if they knew that what they were exporting in 1971 was really loneliness? (The Year of Spaghetti)
It's like fireworks in the daytime. You might hear a faint sound, but even if you look up at the sky you can't see a thing. But if we're really hoping something may come true, it may become visible, like a message rising to the surface. Then we're able to make out clearly, decipher what it means. And seeing it before us we're surprised and wonder at how strange things like this can happen. (Chance Traveler)
Derniers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
But at least she had her own name now, a name that was hers, ad hers alone.
-- Kafka on the Shore Here are animated crows, a criminal monkey, and an iceman, as well as the dreams that shape us and the things we might wish for. Whether during a chance reunion in Italy, a romantic exile in Greece, a holiday in Hawaii, or in the grip of everyday life, Murakami's characters confront grievous loss, or sexuality, or the glow of a firefly, or the impossible distances between those who ought to be closest of all.
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