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The Arts of Intimacy: Christians, Jews, and…
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The Arts of Intimacy: Christians, Jews, and Muslims in the Making of Castilian Culture (édition 2008)

par Jerrilynn D. Dodds, Maria Rosa Menocal, Abigail Krasner Balbale

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1143240,127 (4.83)11
A dynamic vision of medieval Castilian culture and the Arabic, Hebrew, and Latin strands that are woven into its fabric Named a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the Muslims and Jews they had overcome.  The authors paint a portrait of the culture through its arts, architecture, poetry and prose, uniquely combining literary and visual arts. Concentrating on the eleventh and twelfth centuries, the book reveals the extent to which Castilian identity is deeply rooted in the experience of confrontation, interaction, and at times union with Hebrew and Arabic cultures during the first centuries of its creation. Abundantly illustrated, the volume serves as a splendid souvenir of southern Spain; beautifully written, it illuminates a culture deeply enriched by others.… (plus d'informations)
Membre:Beverwijcker
Titre:The Arts of Intimacy: Christians, Jews, and Muslims in the Making of Castilian Culture
Auteurs:Jerrilynn D. Dodds
Autres auteurs:Maria Rosa Menocal, Abigail Krasner Balbale
Info:Yale University Press (2008), Edition: 1, Hardcover, 416 pages
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The Arts of Intimacy: Christians, Jews, and Muslims in the Making of Castilian Culture par Jerrilynn D. Dodds

  1. 00
    L'Andalousie arabe. Une culture de la tolérance, VIIIe-XVe siècle par María Rosa Menocal (MarthaJeanne)
    MarthaJeanne: Ornament gives a good basis for understanding the history. Intimacy adds details and illustrations. They complement each other.
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» Voir aussi les 11 mentions

3 sur 3
This may be the single most stunningly beautiful book in my library. The authors collect a wide range of artistic, architectural, literary, and geographic images, rendered by brush, lens and word, and paint the history of early Castile through these images. It is a deeply interconnected and vivid set of tableaus that bring the land alive.

This is a scholarly work worthy of Gerard of Cremona. ( )
1 voter A_musing | Aug 7, 2011 |
From the title, this book sounds boring. However, it is far from boring. Although a scholarly work, it is written clearly and with panache. The subject -- how Castilian culture stems from three traditions -- is fascinating. The book also contains gorgeous pictures ( )
  janewylen | Nov 24, 2009 |
Michele Dominy gave this to me.
  susanaberth | Aug 21, 2014 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Jerrilynn D. Doddsauteur principaltoutes les éditionscalculé
Balbale, Abigail Krasnerauteur principaltoutes les éditionsconfirmé
Menocal, Maria Rosaauteur principaltoutes les éditionsconfirmé
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A dynamic vision of medieval Castilian culture and the Arabic, Hebrew, and Latin strands that are woven into its fabric Named a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the Muslims and Jews they had overcome.  The authors paint a portrait of the culture through its arts, architecture, poetry and prose, uniquely combining literary and visual arts. Concentrating on the eleventh and twelfth centuries, the book reveals the extent to which Castilian identity is deeply rooted in the experience of confrontation, interaction, and at times union with Hebrew and Arabic cultures during the first centuries of its creation. Abundantly illustrated, the volume serves as a splendid souvenir of southern Spain; beautifully written, it illuminates a culture deeply enriched by others.

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