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Gardenias: A Novel par Faith Sullivan
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Gardenias: A Novel (édition 2006)

par Faith Sullivan

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967284,646 (3.95)4
It's 1942, just a month after the United States entered World War II. Lark, her mother Arlene, and Aunt Betty are in a station changing trains, leaving their lives in Harvester, Minnesota behind, and waiting for the train going to Los Angeles. Young men -- soldiers -- swarm the platform, heading off to war. Against this dramatic backdrop,Gardenias revisits Faith Sullivan's most beloved characters fromThe Cape Ann, taking them from their hometown to new lives, new dreams, and new risks. Arlene has left her husband behind after he gambled away the money she'd saved to finally build the Cape Ann house of her and Lark's Depression-era dreams. As a new life takes shape in San Diego in a wartime housing project full of neighbors they know little about, Lark wonders, as does the reader, if a dream means losing everything of value or finally finding it.… (plus d'informations)
Membre:suep113
Titre:Gardenias: A Novel
Auteurs:Faith Sullivan
Info:Milkweed Editions (2006), Paperback, 392 pages
Collections:Votre bibliothèque
Évaluation:****
Mots-clés:Book Group, WW2, San Diego, MN, Women

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Gardenias: A Novel par Faith Sullivan

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This book has a lot in common with "To Kill a Mockingbird", both books are narrated by a young woman who is learning about the world and trying to puzzle things out. However, "Gardenias" didn't touch on race very much, and the most important adults are two women estranged from their husbands. The story of these three women was generally touching, full of interesting characters, and well-served by the setting of the World War II homefront.

On the negative side: it always feels a bit cheap to me when physical, emotional, and sexual abuse are the crux of a story's conflicts; I'm ambivalent about whether "Gardenias" earned its usage of these unpleasant tropes. However, the end of the book wraps up in such a satisfying way that at the moment I'm willing to forgive its unpleasant moments. ( )
  wishanem | May 27, 2021 |
Beautiful follow-up to [b:The Cape Ann|351160|The Cape Ann (Contemporary American Fiction)|Faith Sullivan|http://photo.goodreads.com/books/1173990840s/351160.jpg|341403]. Just as thoughtful and entertaining. ( )
  periwinklejane | Mar 31, 2013 |
This was a really good story, told from the point of view of a young girl. She moves from the midwest to San Diego during WW2 with her mother and her aunt, who are both running from unhappy marriages. ( )
1 voter sunqueen | Sep 26, 2009 |
In this sequel to The Cape Ann, Lark has moved with her mother Arlene and Aunt Betty from Minnesota to San Diego. The two older women are escaping unhappy marriages while Lark is simply trying to get by. She escapes into her imaginative stories after "channeling" the used furniture in their subsistence housing. There are lots of quirky characters to make life interesting and some downright nasty little boys that make Lark's life quite miserable.

Sullivan doesn't resort to trendy literary gimmicks in her writing. She relies on old-fashioned storytelling in these nostalgic tales of triumph over adversity. ( )
2 voter Donna828 | Aug 12, 2009 |
This coming-of-age story is set in the 1940s during World War II. The narrarator is a young girl, Lark, who lives through tragedy and drama brought about by the people around her; yet, she manages to stay true to herself. Loved it! ( )
  CatieN | May 29, 2008 |
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In memory of my cousin Gil. And for his sisters and brothers, Alice, Marlys, Chuck and Joe. And for my brother Brian. And for book groups, the two I am a member of and the thousands of others who sustain the continued life of books.
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It's 1942, just a month after the United States entered World War II. Lark, her mother Arlene, and Aunt Betty are in a station changing trains, leaving their lives in Harvester, Minnesota behind, and waiting for the train going to Los Angeles. Young men -- soldiers -- swarm the platform, heading off to war. Against this dramatic backdrop,Gardenias revisits Faith Sullivan's most beloved characters fromThe Cape Ann, taking them from their hometown to new lives, new dreams, and new risks. Arlene has left her husband behind after he gambled away the money she'd saved to finally build the Cape Ann house of her and Lark's Depression-era dreams. As a new life takes shape in San Diego in a wartime housing project full of neighbors they know little about, Lark wonders, as does the reader, if a dream means losing everything of value or finally finding it.

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