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Mortal Memory (1993)

par Thomas H. Cook

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Fiction. Mystery. HTML:

The Edgar Awardâ??winning author "builds a family portrait in which violence seems both impossible and inevitable . . . surprising and devastating" (Chicago Tribune).

Steve Farris was nine years old in 1959, the youngest child in a family that was about to be snuffed out. Around four o'clock on an ordinary November afternoon, Steve's father loaded his shotgun. With calm precision he killed his teenaged son and daughter, and then turned the weapon on his wife. For two hours he waited for his youngest son to come home from school. When Steve did not appear, his father drove away, disappearing for good.

Now a successful architect, Farris has spent his life avoiding the memories of that dark day. But questions from an author writing a book about the crime bring back impressions from the days leading up to the killing. For the first time he must confront his awful past, and the terrifying possibility that his father had a reason for what he did.… (plus d'informations)

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3 sur 3
BOTTOM-LINE:
Not everything happened the way you remember
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PLOT OR PREMISE:
A young boy loses his mother, sister and brother to an apparent killing spree of his father. Years later, an author tracks down the boy, now a man with a wife and son, and asks him to remember the details of their last few months together.
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WHAT I LIKED:
The basic plot is somewhat interesting in that it deals with the young boy's impressions of life, now recolored and filtered through the eyes of an adult, and the sudden realizations of what he actually saw and heard of adult conversations which made no sense at the time, but are all too clear now. A reinterpretation of history, in a sense, that allows the context to show more clearly than a simple linear telling might have done.
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WHAT I DIDN'T LIKE:
Two aspects stand out as negative factors. First, there is the telling of the story. At the beginning, it seems far too disjointed, and the continuous references to the future to build suspense actually fall flat. Secondly, there is a sense of detachment throughout the story, almost a clinical feel that keeps you removed from the main character and limits the novel to simply "telling" the story rather than having the reader "live" it through the eyes and actions of the characters. The fact that the ending is all too predictable is not necessarily a negative factor in this story, as it doesn't detract from an interesting read into the psyche of a slowly disintegrating family, and there are twists at the end that show the dangers of reinterpreting history from a cracked lens. Not everything happens the way the little grey cells remember, nor the way reality would tend to dictate.
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DISCLOSURE:
I received no compensation, not even a free copy, in exchange for this review. I am not personal friends with the author, nor do I follow him on social media. ( )
  polywogg | Dec 30, 2016 |
An excellent psychological thriller from Cook. With an interesting twist at the end, more than a typical why dunit, this novel explores in depth the characters and through the eyes of the narrator who himself is going through a mid life crisis, the reasons behind the brutal murder of his family members.. ( )
  adithyajones | Aug 11, 2012 |
Kept me guessing right up until the final few pages. ( )
  LadyBlossom | Aug 30, 2008 |
3 sur 3
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This much I remembered from the beginning: the floral curtains in their second-floor bedroom pulled tightly together; Jamie's new basketball at the edge of the yard, glistening in the rain; Laura's plain white bra lying haphazardly in the grass behind the house, the rest of our clothes, drenched and motionless as they hung from the line above it.
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Fiction. Mystery. HTML:

The Edgar Awardâ??winning author "builds a family portrait in which violence seems both impossible and inevitable . . . surprising and devastating" (Chicago Tribune).

Steve Farris was nine years old in 1959, the youngest child in a family that was about to be snuffed out. Around four o'clock on an ordinary November afternoon, Steve's father loaded his shotgun. With calm precision he killed his teenaged son and daughter, and then turned the weapon on his wife. For two hours he waited for his youngest son to come home from school. When Steve did not appear, his father drove away, disappearing for good.

Now a successful architect, Farris has spent his life avoiding the memories of that dark day. But questions from an author writing a book about the crime bring back impressions from the days leading up to the killing. For the first time he must confront his awful past, and the terrifying possibility that his father had a reason for what he did.

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