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Nora and Fern are just like any other mother and daughter - their relationship is tumultuous, marked by brooding silences and curt exchanges. For Nora, Fern is an enigma - incomprehensible, unfindable. Fern has never really forgiven her mother for leaving her marriage to live with her lover, Jeanne. Their story is a contemporary one, in which mothering is a mapless journey and children are left to form themselves in the shadows cast by idiosyncratic parenting. Here, too, is the reality that perfectly reasonable people will find some way to throw a wrench into the smooth, well-oiled workings of their lives. Nora's relationship with Jeanne has settled into domestic stability, triggering in Nora a familiar restlessness that leads to an affair. When Fern intuits her mother's indiscretion, she looks to the two people she depends on most: her uncle Harold and her best friend, Tracy, who now has the overwhelming task of raising a baby. As Fern begins to take on more of the baby's care herself, she discovers some of the powerful ambiguities of parental love - and starts to find her way back to her own mother. Carol Anshaw has been praised for her "warmhearted sympathies and lively wit" (Newsday). LUCKY IN THE CORNER, with the author's inimitable humor and insight, shows us the way a family reconfigures itself as unexpected changes come its way - and how, no matter what shape it takes, it remains a family.… (plus d'informations)
In a word, Lucky in the Corner is about relationships. Okay, two words: complicated relationships. Nora and Fern have a strained mother-daughter relationship. Nora had Fern at a young age essentially defying her own deep rooted lesbian reality: she first kissed a girl at age twelve. Now, in a romantic relationship with sophisticated Jeanne, Nora is trying to find common ground with defiant Fern. Her daughter is the type of girl to get a tattoo just to piss off a parent. Fern works as a psychic knowing full well this too is something her mother will never understand. To be fair, Fern has an uneasy relationship with her mother because she can never quite trust Nora will always be there for Fern. She has felt her mother could disappear at any second, exactly like a not-quite-there hologram. Call it her psychic abilities but Fern senses her mother's betrayals before they happen. Beyond navigating a complicated relationship with her mother, Fern is also coping with a breakup, the changing relationship with her best friend (who is now a mother herself), and the peripheral relationships with her mother's girlfriend, Jeanne and Fern's cross dressing uncle, Harold. The only relationship not changing too much is the one Fern has with her dog, Lucky. ( )
This is my 2nd Carol Anshaw book and I thought this was great. She is funny and has great insight into family situations. I think she does a great job of dealing with the world of mixed families etc. The world is no longer the traditional family and she does a great job of portraying the world as it is. My one complaint is that she tries to use every possible of character type in the world in the book. Where were the normal people as a backdrop? I fully intend to read all of her books. ( )
I read this book based on Nancy Pearl's recommendation on NPR. I love her enthusiasm when discussing books and find myself catching her excitement. However, I was dissappointed when actually reading this. It had a potentially interesting plotline that never gelled for me and, while plot is not everything, it did not have much else to prop it up such as character development or prose. I would not recommend this book and would not reread it. ( )
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Nora and Fern are just like any other mother and daughter - their relationship is tumultuous, marked by brooding silences and curt exchanges. For Nora, Fern is an enigma - incomprehensible, unfindable. Fern has never really forgiven her mother for leaving her marriage to live with her lover, Jeanne. Their story is a contemporary one, in which mothering is a mapless journey and children are left to form themselves in the shadows cast by idiosyncratic parenting. Here, too, is the reality that perfectly reasonable people will find some way to throw a wrench into the smooth, well-oiled workings of their lives. Nora's relationship with Jeanne has settled into domestic stability, triggering in Nora a familiar restlessness that leads to an affair. When Fern intuits her mother's indiscretion, she looks to the two people she depends on most: her uncle Harold and her best friend, Tracy, who now has the overwhelming task of raising a baby. As Fern begins to take on more of the baby's care herself, she discovers some of the powerful ambiguities of parental love - and starts to find her way back to her own mother. Carol Anshaw has been praised for her "warmhearted sympathies and lively wit" (Newsday). LUCKY IN THE CORNER, with the author's inimitable humor and insight, shows us the way a family reconfigures itself as unexpected changes come its way - and how, no matter what shape it takes, it remains a family.
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Fern works as a psychic knowing full well this too is something her mother will never understand. To be fair, Fern has an uneasy relationship with her mother because she can never quite trust Nora will always be there for Fern. She has felt her mother could disappear at any second, exactly like a not-quite-there hologram. Call it her psychic abilities but Fern senses her mother's betrayals before they happen. Beyond navigating a complicated relationship with her mother, Fern is also coping with a breakup, the changing relationship with her best friend (who is now a mother herself), and the peripheral relationships with her mother's girlfriend, Jeanne and Fern's cross dressing uncle, Harold. The only relationship not changing too much is the one Fern has with her dog, Lucky. (