Reasonable collection of what is resolutely not, despite what the back cover says, in any way 'new wave' science fiction (which you would think would be Aldiss, Ballard, Moorcock etc).

What you get instead is more traditional adventure-oriented sf, but not a bad selection.
Zelazny's The Eve of Rumoko explores sabotage on an undersea engineering project (and was surely referenced by Stross in the Laundry Files book two?).
Laumer's The Night of the Trolls puts a soldier in suspended animation until after the fall of civilization.
Reynolds' Mercenary is an interesting exploration of a future world with a rigid class structure, where mercenaries are hired to fight in corporate wars.
Dickson's Soldier Ask Not is a thriller which makes an attempt at discussing human nature and is probably the best thing here.
Raphael's Code Three pictures highway patrolmen on future giant highways. The racial politics are best left in the 60s and it doesn't have enough action to keep it interesting on its own terms.
Silverberg's How it Was When the Past Went Away is a funny study of a San Francisco affected by memory-loss drugs in the water supply. Probably the closest thing to New Wave here.
Garrett's The Highest Treason has an earth solider betraying humanity to aliens. It's fairly predictable.
McLaughlin's Hawk Among The Sparrows has a modern jet plane thrown back into World War One, and the pilot struggling to adapt.
Farmer's The Suicide Express is a section of a Riverworld novel and probably best experienced in that context. ( )