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Vieil ange de minuit

par Jack Kerouac

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1392196,559 (3.42)8
A sensory narrative poem capturing the rhythms of the universe and secrets of the subconscious with stunning linguistic dexterity from the author of On the Road A spontaneous writing project in the form of an extended prose poem, this sonorous and spiritually playful book is one of Jack Kerouac's most boldly experimental works. Collected from five notebooks dating from 1956 to 1959--a time in which Kerouac was immersed in Buddhist theory--Old Angel Midnight is comprised of sixty-seven short sections unified by an unwavering dedication to sounds, the subconscious, and verbal ingenuity. Friday Afternoon in the Universe, in all directions in & out you got your men women dogs children horses pones tics perts parts pans pools palls pails parturiences and petty Thieveries that turn into heavenly Buddha. Thus begins Kerouac's Joycean language dance. From birdsong to dharmic verse, street jargon to French slang, the resonances of the universe come blaring in though the windows, unfurling their meaning as the mind lets go and listens.… (plus d'informations)
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Socalled stream-of-conscious "automatic writing" is prone to lead to disappointment in readers, and even in it's best form somewhat difficult to appreciate. It should be considered the "abstract" painting of prose style. Kerouac's novels include some interesting experiments with this approach to writing. However, Old Angel Midnight should not be counted among his successes with this style. It is a bit unfair, too, because the introductrion states that these short pieces of writings were experiments, try-outs for Kerouac to develop his ability and style. Apparently, they were not intended for publication, and the title was added later. A later editors made various decisions about the order of the material. It is, therefore, questionable whether this material should have been published at all, and dubious to publish it as poetry, even though the short pieces look like poetry in terms of form. The collection of fragments known as Old Angel Midnight is also included in Vol. 1 of the poetry of Jack Kerouac in the Library of America edition. ( )
  edwinbcn | Dec 28, 2019 |
Seriously, Kerouac is one of my all-time favorites, so to honestly review this, is painful for me.
This book is just a hot mess. I honestly understood maybe 1/50th of what I read. I know, I know - it's called spontaneous prose, or automatic writing. Like I said, I'm a big fan of the man. But this? This is just gobblydee gook! And much like those two words, full of crazy misspellings and abbreviations that make it virtually unreadable. I was sad as I turned each page, and would have given up entirely if not for brevity of the material. Gee whiz, I could have gone to the grave without knowing this was out in the world. I truly believe that only a famous author could have stuff like this actually published. I might have to re-read "On the Road" for the umpteenth time to get this bad taste outta my brain! ( )
  Stahl-Ricco | Nov 19, 2016 |
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A sensory narrative poem capturing the rhythms of the universe and secrets of the subconscious with stunning linguistic dexterity from the author of On the Road A spontaneous writing project in the form of an extended prose poem, this sonorous and spiritually playful book is one of Jack Kerouac's most boldly experimental works. Collected from five notebooks dating from 1956 to 1959--a time in which Kerouac was immersed in Buddhist theory--Old Angel Midnight is comprised of sixty-seven short sections unified by an unwavering dedication to sounds, the subconscious, and verbal ingenuity. Friday Afternoon in the Universe, in all directions in & out you got your men women dogs children horses pones tics perts parts pans pools palls pails parturiences and petty Thieveries that turn into heavenly Buddha. Thus begins Kerouac's Joycean language dance. From birdsong to dharmic verse, street jargon to French slang, the resonances of the universe come blaring in though the windows, unfurling their meaning as the mind lets go and listens.

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