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A Pin to See the Peepshow (Virago modern…
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A Pin to See the Peepshow (Virago modern classics) (original 1934; édition 1994)

par F.Tennyson Jesse, Elaine Morgan (Introduction)

MembresCritiquesPopularitéÉvaluation moyenneMentions
2287117,174 (4.11)95
Julia Almond, born into drab suburban poverty in Edwardian London, longs for a better life, the fairy-tale world of romance she glimpsed in her childhood. She believes she is somebody special, always seeking the magic which will make her dreams come true. By the author of The Lacquer Lady .
Membre:CelesteM
Titre:A Pin to See the Peepshow (Virago modern classics)
Auteurs:F.Tennyson Jesse
Autres auteurs:Elaine Morgan (Introduction)
Info:Virago Press Ltd (1994), Edition: New edition, Paperback, 416 pages
Collections:Votre bibliothèque
Évaluation:
Mots-clés:literary fiction, British, 20th Century, 1930's, Virago

Information sur l'oeuvre

A Pin to See the Peepshow par F. Tennyson Jesse (1934)

  1. 10
    Criminal Justice: The True Story of Edith Thompson par René Weis (christiguc)
  2. 10
    Intempéries par Rosamond Lehmann (souloftherose)
    souloftherose: Two books written by women and published in the 1930s which are both about women who find themselves trapped by the constraints of the society they live in and end up seeking happiness in ex-marital affairs. Both have been reissued by Virago press.
  3. 10
    Fred and Edie par Jill Dawson (Her_Royal_Orangeness)
    Her_Royal_Orangeness: Both books are based on the true story of Edith Thompson and Frederick Bywaters.
  4. 00
    The Ordeal of Elizabeth par Anonymous (souloftherose)
    souloftherose: Although set 20 years apart, both books look at the restrictions society of the time placed on young women and the terrible and tragic events that can follow
  5. 00
    High Wages par Dorothy Whipple (souloftherose)
    souloftherose: Both books look at the life of a young woman working as a shop assistant in the early 20th century.
  6. 00
    The Sugar House par Antonia White (shaunie)
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» Voir aussi les 95 mentions

Affichage de 1-5 de 7 (suivant | tout afficher)
My advice is to go into this book knowing as little as possible, so if you’re ever going to read this book, you may want to skip this review. It was actually somewhat difficult to locate in new or used bookstores over the years, but I was happy to find it finally on a recent trip to Powell’s in Portland. It’s unfortunate that it’s not more widely read, because it’s quite good, and works as feminist literature, as well as a story of coming of age, the passion and difficulties of relationships, and crime and punishment. Jesse was the great-niece of the poet Alfred, Lord Tennyson, and does him proud, with very nice writing and deep insight into the psychology of her characters.

What made the book for me was how it touched on so many women’s issues, and so matter-of-factly, without preaching. It’s telling that the protagonist, Julia Almond, often simply wants to have privacy in a room of her own, and interesting that the book was written five years after Woolf’s essays were published. It was a time when women had great difficulty gaining economic independence, marriage meant subordinating oneself, getting a divorce was sometimes impossible, and abortion was a crime. On a day to day basis, there was (and still is) casual harassment while at work, and an underlying bias against women in so many situations, resulting in unfair perception and treatment. Because of the stigma of a woman who wears glasses, Julia often doesn’t wear hers, and sees things with only fuzzy perception.

Jesse was not afraid to write openly of Julia’s crush on a female teacher when young (“Oh, if only Julia were a little girl at a Council School and Miss Tracey could take the cane to her, how thrilling that would be…”), or her sexual desire as an adult (“Nothing is as voracious as a woman who, for the first time in her life, has had physical satisfaction”). Julia’s lack of understanding of sex is shocking, but that’s how the world was then. We identify and find ourselves rooting for her, but on the other hand, she’s far from perfect, marrying naively, taking advantage of her husband’s wealth while denying him sex, and then casually wishing he was dead. It’s a very balanced and honest account.

My only quibble is the last part dragged on for too long without any real suspense, and probably should have been shortened a bit, but even with that said, I considered a slightly higher rating.

Quotes:
On people in public:
“One looked at people in buses and trains, when their bodies were quiescent and their minds somewhere else, in a book or a newspaper, or behind them at the place they had left, or before them at the place they were going to, and they seemed harmless enough, and so they were while you were looking at them – but what hadn’t those apparently tranquil bodies harboured? Souls that had been jealous and angry and afraid and envious, even murderous, and the bodies themselves had been passionate, intemperate, greedy, agonised. People you saw in buses and trains weren’t really themselves at all, only the quiescent ghosts of what they had been, and what they might still be again.”

On perceptions of others:
“A man may meet another, admire his operating, or his painting, or his sculpture or whatever it is he does, and at once the other man will feel a softening of the heart, a sudden little glow, a sense that here is a nice person. Just as two men may meet, and one be offended at the some heartless remark of the other, and quite a different moment will spring to life between them. Yet both moments are true, and both untrue. They are true because the contact is real, untrue because it covers such an infinitesimal point in the soul of each man.”

On relationships that are long distance:
“Julia entered upon a new phase of relationship, a phase of building up the most dangerous relationship in the world – that spun of words, and, worse still, of words put on paper. As the weeks went by she lived more and more for her letters to Leo and his answers to them. They were getting to know each other, she felt, in a far more real and true way than they would have had they been together. This, she felt convinced, was the right way to begin a relationship.”

On sex education, or lack thereof:
“It seemed to her sometimes that no one could ever have felt the sharp ecstasies that Alfie had taught her. How could the secret fumblings, the half-ashamed realisations of her forebears be weighed against them, or else, whey should she have been kept in ignorance, as though there had been a conspiracy to shut off from her the knowledge that there was such a lovely sensation?” ( )
2 voter gbill | Jan 31, 2018 |
This story of a young woman trapped by social conventions in 1920s England takes as its basis actual events from a sensational crime. Julia Almond grows up in surburban London, and initially escapes her humdrum family of origin through work in a dress shop. She develops as a business woman, representing the shop on trips to Paris to choose new clothing lines for the shop. But Julia isn't satisfied with her modest lifestyle, and believes she deserves more. She marries a man several years her senior, primarily for a sense of security. The union is unsatisfying due in large part to Julia's inflated expectations, and her inexperience with romantic relationships. When she meets up with a boy she once knew in school, sparks fly, but in Edwardian society there is really no way for Julia and Leo to be anything other than lovers. Eventually and inevitably, matters come to a head, with disastrous consequences.

In addition to its basis in history, A Pin to See the Peepshow also inspired Sarah Waters' 2014 novel, The Paying Guests. F. Tennyson Jesse's novel spends a great deal of time developing Julia's history and character, whereas Waters focuses primarily on the crime and its aftermath, and develops her characters in that context. I enjoyed both books and found it particularly interesting to compare and contrast the two while reading A Pin to See the Peepshow. ( )
1 voter lauralkeet | Nov 17, 2014 |
A Pin to see the Peepshow was first published in 1934 and follows the fortunes of Julia Almond. As the novel opens Julia is sixteen and still at school, it is 1913, she has a “rave” on one of her teachers, jealously guards the privacy of her own room at home, and adores her dog Bobby passionately. Julia however is not a very likeable character - I tried to warm to her as the novel progressed – but I disliked her more as time went on. She though an extremely realistic and believable character, she is a fully fallible human being, and fascinating too. The fact I didn’t much like the central character didn’t of course prevent me from enjoying the novel itself. Julia though is selfish, vain, thoughtless and certain of her own importance, ambitious and independent she has no time for women’s suffrage, is bored by it – her only interest is in things that directly affect her. Julia lives in a fantasy world most of the time, her head filled with dreams and stories in which she plays a central role. She is a woman who is ultimately destroyed by her own actions, but also and more importantly by her class and the times in which she lived. Julia’s fate is dark one, which the reader will struggle to forget.
When Julia’s father dies, she and her mother find they will find it difficult to make ends meet. To help the family finances Julia’s uncle and aunt and Cousin Elsa move in, Elsa has to share Julia’s precious room, and even manages to steal some of Bobby’s affection for herself – much to Julia’s distress. Julia begins work at an upmarket dressmakers, where the society women who own the shop lead a very different life, which includes the ability to divorce an unsatisfactory or dull husband with practically no scandal, something that women in Julia’s own class is unable to do. Julia makes her first forays into romance, when the war gets in the way. Family friend Herbert Starling is newly widowed and although somewhat older than Julia he offers her a way of escape from home. With Herbert away at the war she will have his large roomy flat all to herself and Bobby, and so she marries him. Julia soon finds that the war doesn’t last for ever and that Herbert when no longer an officer, is once more the rather dull man she remembered from before the war, and now she must live with him constantly. She still has her job, which she loves, and indeed is so good at it – she is soon earning more than her husband. Then Leonard Carr comes back into her life. Leonard was a boy at her school years earlier, seven years her junior, who once showed her his little peepshow box.
“Then she picked up the box. A round hole was cut into each end, one covered with red transparent paper, one empty. To the empty hole was applied an eye, shutting the other in obedience to eager instructions.
And at once sixteen year old, worldly wise London Julia ceased to be, and a child an enchanted child was looking into fairyland.”
Julia and Leonard strike up a friendship – which over time becomes a lot more. Julia has an overly romantic view of their relationship, Leonard – Leo to Julia has it seems less to loose, and begins to make suggestions that would see Julia leaving her husband. Julia finds that this option which had seemed so easy to her society employers is not something that will be so easy for her. Julia is dependent on her employers; she fears that her husband making trouble for her could be detrimental to her career. Julia becomes terrified of losing Leo; she needs to prove to him that she will do anything to keep him. The repercussions of this deeply unwise relationship are astonishingly harsh, and very sad. I won’t say any more about the plot – although as the novel is famously based upon a real life court case of 1934, the Bywaters/Thompson murder trial you may be able to hazard a guess at some of it. According to the afterword, Julia Starling is not that dissimilar in personality to Edith Thompson.
I did really enjoy this book – and maybe it is not my all-time favourite virago book – not sure what they would be anyway – but it is a brilliant read, and I can see why it has proved to be so popular. I loved the descriptions of Julia’s life at the dress shop, her buying trips to Paris making her quite a modern business woman of her day. The author presents us with the inequalities for women at this time, the class that Julia was born into means her options are not as easy as for those of a higher or lower social standing. ( )
  Heaven-Ali | Sep 30, 2012 |
This is a riveting novel about a young woman caught in a web of destructive circumstances. Beginning in 1913 and ending in 1927 it covers the life of Julia Almond. The reader first encounters Julia at age fifteen when she is a pretty, bright and charming student at a London girls' school. Even though she has ability and personality, Julia's future is not promising. Her parents are lower middle class. Her father works as a clerk for a real estate agency and makes just enough money to support his family in a modest home and her mother keeps the house. There was never quite enough money to put something aside for a rainy day or for Julia's continued education. After school Julia is apprenticed to a boutique dress shop where she learns the ins and out of dress design and finds she has a talent for business management. She is sent to Paris as a buyer for the boutique, makes friends with a young actress who gives her an in with the theater crowd. Life is good and getting better.

Then a calamity occurs when Julia's father dies and leaves his family almost destitute. In short order Julia's home is invaded by her uncle, aunt and young cousin to help meet expenses. She must share a room with a ten year old and her mother is reduced to almost servant status in her own home. To escape, Julia marries her father's friend, a 35 year old widower who offers her a lovely house and expects a dutiful, grateful wife. As the years pass, Julia struggles to maintain her individuality. She refuses to give up her career, does not want children, and longs for Prince Charming to come and sweep her away to a life of passion and adventure. He shows up when Julia is 26, a young sailor engaged to her 17 year old cousin. He is handsome, not dull, and, even though only 20, he gives off the air of a man of the world. She and Leo fall passionately in love. As they become involved with each other Julia becomes more and more disgusted with her husband. He is becoming fat, has a dull brain, and insists on a husband's rights which he executes with no care or skill. In letters to her young lover, Julia begins to fantasize about being free to marry Leo. If she cannot get a divorce, maybe her husband will oblige by dying.

And so the novel becomes something more than a look at a pretty, imaginative, selfish and sometimes silly woman who, only twenty years later, would have been able to have a successful and independent life. Julia was so ordinary, but since she took a few missteps in society's eyes, she was punished. Had she been richer or poorer, no one would have cared, yet middle class women in in the first half of the twentieth could not commit adultery without suffering consequences. Fiction becomes thinly disguised fact as Julia Almond's life mirrors the life of Edith Thompson who was tried for the the murder of her husband. ( )
  Liz1564 | Aug 14, 2012 |
Before I read this book, I knew that it had been based on a murder case from the 1920s (the Thompson/Bywaters case) and I was initially confused that the first three-quarters of this book seem to show a life that has as little to do with murder as you can imagine. A modern book would probably start with the murder then tell the story of the events leading up to the murder through flashbacks, but Jesse starts back in her main character's childhood in 1913 and we follow her as she leaves school, begins an apprenticeship and then marries. The main character, Julia, has always lived in the world inside her head. As a young girl, she dreams that someone rich and devastatingly handsome will sweep her off her feet and marry her.

"It was just that something that Julia always wanted - even when we were at school. She lived on - I don't quite know how to put it - that romantic assumption that there was something wonderful and golden, something complete and round; that was what she wanted."

As she gets older it becomes more and more obvious to her that things like that just don't happen to girls like her but rather than being able to face the reality of the world she's confined to, Julia continues to live inside her head and to believe that she is someone truly special who will one day escape the humdrum life she lives.

Ultimately Julia's story ends in tragedy, and even knowing the ending it still feels unexpected and sudden - I think this would have been lost if Jesse had told the story through flashbacks. The writing is wonderful and I could often feel the how trapped Julia must have felt in her life - so much so that I had to stop reading for about a month because I was finding it too depressing.

"He saw how completely at the mercy of her imagination and her body such a girl must have been; a girl whose mind had never been trained to look for truth, had never learned any thrift of thought. What guide could such a one have had but her own desires, which were not, after all, ignoble? Her desire for beauty, fro something finer than the ugliness which was all that lay within her grasp? Her desire for physical pleasure, the only ecstasy that could be hers?"

As the back cover says she is truly 'a woman trapped by her sex, her class and the times she lived in'. ( )
1 voter souloftherose | Jul 21, 2012 |
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Jesse, F. Tennysonauteur principaltoutes les éditionsconfirmé
Morgan, ElaineIntroductionauteur secondairequelques éditionsconfirmé

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Julia Almond, born into drab suburban poverty in Edwardian London, longs for a better life, the fairy-tale world of romance she glimpsed in her childhood. She believes she is somebody special, always seeking the magic which will make her dreams come true. By the author of The Lacquer Lady .

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