Cliquer sur une vignette pour aller sur Google Books.
Chargement... La piedra angularpar Emilia Pardo Bazán
Aucun Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Novela que critica duramente os mecanismos do poder á hora de impartir xustiza e o tratamento penal dos malos tratos ás mulleres, delicto inexistente para os tribunais da época. Unha obra que debuxa unha paisaxe social en que todas as mulleres viven un cadro familiar de violencia e malos tratos e pon o dedo nun tema que, anos despois, continúa de permanente actualidade.Nunha aldea próxima a Marineda, a Erbeda, aparece asasinado un carreteiro e culpan do crime á súa muller e a un cómplice, suposto amante e cuñado dela. Tras pasar todos os trámites burocráticos os reos son condenados a morrer no garrote. Partindo do caso particular, a trama abrangue aspectos de xustiza social, por un lado pero tamén atene o conflicto particular da asasina; quen desde o punto de vista da autora é a verdadeira víctima. E así é xulgada polo sistema e condenada a morrer sen pena nin gloria. Paralelamente ao asunto dos reos, abórdase o drama persoal do brazo executor da pena, do verdugo Juan Rojo. ( ) aucune critique | ajouter une critique
Appartient à la série éditoriale
The plot of La piedra angular (1891) revolves around a crime: the brutal murder of a man by his wife and her lover. The novel is didactic, and attacks capital punishment, the "corner stone" of the title. On the issue of capital punishment, the author presents the reader with a variety of attitudes and ideologies. Emilia Pardo Bazan studies the executioner (Juan Rojo) and his family environment. In this way, La piedra angular analyzes the penal laws and criminal anthropological studies throughout its plot. The writer shows in her narrative the debate between legislators, philosophers, politicians and theologians over the validity of capital punishment. The author compares three characters, each personifying three distinct ideas of human justice in regards to the question of crime and the criminal in society. Through her novel, Bazan shows different points of views regarding the theme; clearly condemning the conservative attitude while showing the pros and cons of both sides. She also acknowledges the influence of Emilio Zola through his portrait of the sordid and brutal world of Marineda and the corrupting power of alcoholism. However, one should look less at the naturalistic school and more at the Russian writers that she studied and debated in her 1887 conferences at "Ateneo de Madrid" and in her work La revolucion y la novela en Rusia (1887), where she praises Tolstoi, whom she regards over Zola. Aucune description trouvée dans une bibliothèque |
Discussion en coursAucun
Google Books — Chargement... GenresClassification décimale de Melvil (CDD)860.8Literature Spanish and Portuguese Spanish literature CollectionsClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
Est-ce vous ?Devenez un(e) auteur LibraryThing. |