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A Power Stronger Than Itself: The AACM and American Experimental Music

par George E. Lewis

MembresCritiquesPopularitéÉvaluation moyenneMentions
813331,023 (4.5)79
"Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art."--Publisher's description.… (plus d'informations)
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» Voir aussi les 79 mentions

3 sur 3
Very good. But it's interesting to see Lewis jump from oral history to academic theory. I like the richness of his approaches, but you notice the seams between them. Still, this is essential information, and especially good on the "next generations" of AACM members who don't get as much acclaim as the pioneers. ( )
  squealermusic | Mar 16, 2023 |
A POWER STRONGER THAN ITSELF is perfect for Experimental Creative Music, African American, and history of Chicago fans. Comprehensive and zealously erudite with a compelling narrative, George Lewis' tome delivers an impressive history of one of the longest lasting African American organizations for freedom and self determination.

The impact of The AACM continues to reverberate throughout the music of the world!

Possible changes for a future volume might include combining chapters which have the same historical sequence to avoid repetition, locating the densely written initial passages at the book's conclusion, listing the sizes of audiences, and correcting the odd omission of Ronald Redondo in Index. A search for his sources related to Anthony Braxton proved unrewarding. ( )
  m.belljackson | May 16, 2018 |
This is a great book. It is a big book and has different aspects. Part of it is a history of the musicians who created and have become members of the AACM. This includes biographical & musical sketches of a large number of musicians. Part of it is a polemic on the critical role of Black experimental musicians in the development of modern music. It includes analysis of the racial components in the classifications of music & musicians. But there is lots more in it too, including an analysis of the role of musicians in Chicago & how that differs from New York. Some of the content is very academic, and other parts are very accessible. This book should be read by anybody interested in music composition & improvisation, in the role of the collective in music, in the history of music, in the history of Chicago...and even by anybody who is interested in jazz. ( )
1 voter franoscar | Aug 18, 2008 |
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"Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art."--Publisher's description.

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