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Don't Look Now

par Daphne Du Maurier

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1673163,112 (3.86)1 / 107
He's playing a deadly game. And he's closer than you think. The first compelling Jack Paris thriller from the author of the Sunday Times bestselling Byrne and Balzano series. Previously published as Deviant Way. Andrea Heller has been married for seven years, but still likes to pretend she's single. She enjoys sitting on her own in bars, and watching what happens. But there's another couple watching too. They call themselves Saila and Pharaoh, but only after sundown. And it is after sundown that some terrible things are happening in the singles clubs in Cleveland. In six months, three women in their twenties have been brutally murdered. And each step that Homicide Detective Jack Paris takes to find their killer draws him closer to the heart of his own forbidden impulses. As the stakes become increasingly personal, Jack knows only one thing for certain. To enter the minds of Saila and Pharaoh is to enter a world from which no one ever fully returns...… (plus d'informations)
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» Voir aussi les 107 mentions

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I wasn't overly impressed with this collection of stories. Don't Look Now and The Birds were pretty good but having seen the films many times certainly took much away some of the suspense. No fault of the author. I thought that The Birds was better, more menacing, than the Hitchcock film of the same name. I liked the more ambiguous ending better. The Escort I thought was awful. The plot is so hackneyed I knew what the ending would be when the "mysterious" ship appeared. Split Second and Kiss Me Again, Stranger were both very good with the latter having a great twist at the end. Blue Lenses, one of Du Maurier's more celebrated stories, I thought was pretty weak. Once you figured out the schtick (and you will, quickly) it was just boring and overlong. Monte Verita was really long and just average as a story goes. I hated the ending.

Du Maurier's writing style and the stories' vocabulary and metaphor seemed somewhat dumbed down to appeal to a larger audience than a more literary style would have appealed to. Certainly not very quotable prose. For some reason, I guess because none of the stories were really gripping, it took me a long time to finish the entire book. I was never hooked like I am with horror writers; waiting in expectation for the next story.

I'm not sure why Du Maurier is held in such high regard. Because of some of her novels she is considered one of the more literary horror writers that the non-horror readers (Who wants that stigma?) find acceptable to read. I guess it must be because of her other writing. She sure had a lot of her output adapted as movies.

There is certainly more interesting and exciting horror stories to read. Would I recommend this to someone? No. ( )
  Gumbywan | Jun 24, 2022 |
Mine is the Folio Society edition, which is different to two of the three reviews below (but the same as 'overthemoon's)

What can I say. Absolutely riveting read - I got through 300 pages in just two days, and at times could not put the book down. All the tales have a twist in them, some bordering on horror, others - if not most of them - supernatural.

If you have the same edition as me, don't read the introduction first - it is really full of spoilers! ( )
  RMMee | Nov 26, 2010 |
includes The Apple Tree; The Pool; The Blue Lenses; Kiss Me Again, Stranger; The Chamois; Not After Midnight; The Old Man; The Birds ( )
  overthemoon | Nov 17, 2007 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Daphne Du Maurierauteur principaltoutes les éditionscalculé
McGrath, PatrickIntroductionauteur secondairequelques éditionsconfirmé
Smithson, HelenIllustrateurauteur secondairequelques éditionsconfirmé

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"Don't look now," John said to his wife, "but there are a couple of old girls two table away who are trying to hypnotise me."
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Folio Society edition contains stories: Don't Look Now; The Apple Tree; The Pool; The Blue Lenses; Kiss Me Again, Stranger; The Chamois; Not After Midnight; The Old Man; The Birds. There seem to be a number of different configurations using this same title, but they do not always contain the same stories, or even the same number of stories.  The copyright page states that this Folio Society edition was originally published under the title "Echoes from the Macabre: Selected Stories" (UK (1976), by Victor Gollancz Ltd; USA (1977) by Doubleday)
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He's playing a deadly game. And he's closer than you think. The first compelling Jack Paris thriller from the author of the Sunday Times bestselling Byrne and Balzano series. Previously published as Deviant Way. Andrea Heller has been married for seven years, but still likes to pretend she's single. She enjoys sitting on her own in bars, and watching what happens. But there's another couple watching too. They call themselves Saila and Pharaoh, but only after sundown. And it is after sundown that some terrible things are happening in the singles clubs in Cleveland. In six months, three women in their twenties have been brutally murdered. And each step that Homicide Detective Jack Paris takes to find their killer draws him closer to the heart of his own forbidden impulses. As the stakes become increasingly personal, Jack knows only one thing for certain. To enter the minds of Saila and Pharaoh is to enter a world from which no one ever fully returns...

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