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Women, Art and Society (World of Art S.) par…
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Women, Art and Society (World of Art S.) (original 1990; édition 1997)

par Whitney Chadwick (Auteur)

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This acclaimed study challenges the assumption that great women artists are exceptions to the rule who transcended their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality.This expanded edition incorporates recent developments in contemporary art. Chadwick addresses the turn toward autobiography in much recent women's art. She considers issues such as the personal versus the political and the private versus the public, and analyzes the differences between women's art today and the seminal feminist work of the 1970s and 1980s.… (plus d'informations)
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Titre:Women, Art and Society (World of Art S.)
Auteurs:Whitney Chadwick (Auteur)
Info:Thames & Hudson Ltd (1997), Edition: 2nd Revised edition, 448 pages
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Women, Art, and Society par Whitney Chadwick (1990)

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Much needed perspective on art and gender... ( )
  Brightman | Jan 30, 2021 |
Examination of the work of women artists from the middle ages to postmodern art. Discussion of art history's approach and how patriarchal worldviews have formed most of the discourse about art created by women. Fresh approaches to the examination of art produced by women are enriched by feminist scholarship re-examinations of history and art. Color and black and white images.
  CLlibrarystudent | Dec 4, 2016 |
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This acclaimed study challenges the assumption that great women artists are exceptions to the rule who transcended their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality.This expanded edition incorporates recent developments in contemporary art. Chadwick addresses the turn toward autobiography in much recent women's art. She considers issues such as the personal versus the political and the private versus the public, and analyzes the differences between women's art today and the seminal feminist work of the 1970s and 1980s.

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