AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Max Ernst Une semaine de bonté : Les collages originaux (1934)

par Max Ernst

Autres auteurs: Voir la section autres auteur(e)s.

MembresCritiquesPopularitéÉvaluation moyenneMentions
612938,437 (4.36)6
"One of the clandestine classics of our century." -- The New York TimesThis is the legendary collage masterpieces of Max Ernst (b. 1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing -room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown. Une Semaine De Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst's "seven deadly elements." "Oedipus," "The Court of the Dragon," and "Three Visible Poems" are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English. Une Semaine De Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.… (plus d'informations)
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 6 mentions

Affichage de 1-5 de 9 (suivant | tout afficher)
Just the idea of a "Surrealistic Novel in Collage" is enuf for me. Add Ernst's delicate touch & it's even better. Ultimately, though, I have to admit to getting a little bored by the technical uniformity of the prints used - even w/ Ernst's careful recycling. ( )
  tENTATIVELY | Apr 3, 2022 |
This work is pure genius!

Max Ernst put together this artist's book using cutouts from various woodcut illustration sources. This is before the days of Adobe Photoshop, yet it looks utterly flawless in its technical execution.

The images of this book are so weird yet captivating and hard to classify. Each chapter of the book follows a day of the week and some sort of theme (mud, water, fire, etc) in the images. What do these images mean? Nobody can give a precise answer and that is part of the appeal of this book.

Also take heed - this can be considered an early graphic novel. Yes, it can be hard to decipher, but these images are clearly meant to be read in sequence.

Overall, Une Semaine De Bonte is quite a creation. Its enigmatic meaning is part of its appeal. ( )
1 voter maxwestart | Aug 13, 2013 |
Darkly comic, with all the visual lyricism of Ernst's exhibited collage works and a large dose of macabre exuberance. The use of altered complete images and similar source material makes the pictures feel more like complete images in themselves than collage, to great uncanny effect. It also transforms the whole into a satire of the equivocal, quotidian attitude to violence and death in popular culture.

The book comes into it's own in the partial and overlapping narratives, the pictures force interpretation on the reader, but the strands of detail and apparent continuities combine and flow in dozens of different ways, loading the mute images to bursting point with different narratives competing for prominence. Is there one lion of belfort, or does the leonine face and medal take over the violent and prideful, are the pictures in the house in the court of the dragon (assuming it's the same house) prophesy the future or has this all happened before? Does is this face twisted in shock or anger? Is this figure a woman languishing in orgasmic bliss or a staring corpse? The images play beautifully between self-consistency that demands explanation and evanescent phantasmagoria that render it impossible. ( )
1 voter Raveningdesk | Sep 5, 2012 |
Sky bought this for me a few weeks ago - lovely Surrealist collage story by Max Ernst ( )
  jentifer | Aug 15, 2009 |
Affichage de 1-5 de 9 (suivant | tout afficher)
aucune critique | ajouter une critique

» Ajouter d'autres auteur(e)s (4 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Max Ernstauteur principaltoutes les éditionscalculé
Spies, WernerDirecteur de publicationauteur secondairequelques éditionsconfirmé
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

"One of the clandestine classics of our century." -- The New York TimesThis is the legendary collage masterpieces of Max Ernst (b. 1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing -room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown. Une Semaine De Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst's "seven deadly elements." "Oedipus," "The Court of the Dragon," and "Three Visible Poems" are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English. Une Semaine De Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (4.36)
0.5
1
1.5 1
2 3
2.5
3 9
3.5 3
4 26
4.5 3
5 52

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 204,795,131 livres! | Barre supérieure: Toujours visible