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It's Fine By Me (1992)

par Per Petterson

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25217105,806 (3.68)4
On his first day of school, a teacher welcomes Audun to the class by asking him to describe his former life in the country. But there are stories about his family he would prefer to keep to himself, such as the weeks he spent living in a couple of cardboard boxes, and the day of his little brother's birth, when his drunken father fired three shots into the ceiling. So he refuses to talk and refuses to take off his sunglasses. In his late teens Audun is the only one of his family who remains with his mother in their home in a working-class district of Oslo. He delivers newspapers when he is not in school and talks for hours about Jack London and Ernest Hemingway with his best friend Arvid. But he's not sure that school is the right path for him, feeling that life holds other possibilities.… (plus d'informations)
  1. 10
    Samedi soir dimanche matin par Alan Sillitoe (browner56)
    browner56: Superbly written character studies of two working class young men who experience the alienation and anger that come with growing up.
  2. 00
    Beatles par Lars Saabye Christensen (rrmmff2000)
    rrmmff2000: Both tremendously evokative accounts of working class boys growing up in Vietnam era Oslo.
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» Voir aussi les 4 mentions

Affichage de 1-5 de 16 (suivant | tout afficher)
It’s Fine By Me is narrated by Audun Sletten and opens with him as a thirteen-year-old starting a new school in Veitvet, a working-class district of Oslo, where along with his mother and siblings they have fled from their rural home to an urban flat to escape their drunken, abusive father. Structurally, the book consists of two time periods: when Audun is thirteen and five years later when eighteen-year-old Audun leaves school to work as a labourer at a printing factory. In the interim, Audun’s father has disappeared, his younger brother has been killed in a car accident, and his older sister has left home and begun her own family, leaving Audun alone in the flat with his mother. When not in school Auden delivers newspapers and reads boy's own books by the likes of Jack London and Ernest Hemingway but refuses to talk about his former life. One morning whilst out delivering newspapers, Audun chances upon his father.

On the face of it this novel sounds like a standard coming-of-age tale: Audun escapes his alcoholic father and makes decisions that will catapult him in to the world of work. But it’s much more than that. Auden is a troubled, resilient teenager who uses apathy, indifference and machismo as self-preservation mechanisms. He helps his best friend Arvid get a modicum of revenge when Arvid's father is beaten by a gang of youths but when this gang catches up with him when alone he knows what to expect and takes his beating without any real malice. Throughout the story Auden uses phrases like "I didn't really care"; "I don't give a shit" and "It doesn't matter" as he refuses to bow to self-pity but this indifference doesn't remove only disguises his burgeoning grief.The unexpected return of Tormod Sletten, the abusive father, forces Auden's to look inward.

It’s Fine By Me is a slim novel, only 200 pages, but don't let this fool you. The writing is rich, its portrayal of the countryside and the Norwegian weather is vivid and evocative, as is the author's portrayal of manual labour. Despite being a bright student Auden leaves school early and takes a manual job at a print-works. Petterson shows great sympathy with the lot of the workers there; there’s a certain poetry in his depiction of tasks that these brash, selfless men who work in arduous, unskilled positions must undertake for our benefit. Overall I found this a quick and enjoyable read. ( )
  PilgrimJess | Jun 24, 2020 |
Do brutal climate and harsh environs inevitably lead to such stories? Auden is a survivor. The question is whether he will escape as well as survive. This is a grim story of abuse, alcoholism, dead-end jobs, petty town mentalities. But above it is a level of joy for the reader in the lovely prose, the simple, minimal way in which Petterson does his work. And surely the one will transcend the other by the end leading to something like a happy future. Auden’s a reader and in his heart he’s a writer. Could the author really leave the hopes of this young man and the reader dashed?

Maybe. I’m not going to give that away. Suffice to say I read this with my heart in my mouth, during the course of today. It’s short and very difficult to put down.

Petterson’s on two out of two with me. ( )
  bringbackbooks | Jun 16, 2020 |
Do brutal climate and harsh environs inevitably lead to such stories? Auden is a survivor. The question is whether he will escape as well as survive. This is a grim story of abuse, alcoholism, dead-end jobs, petty town mentalities. But above it is a level of joy for the reader in the lovely prose, the simple, minimal way in which Petterson does his work. And surely the one will transcend the other by the end leading to something like a happy future. Auden’s a reader and in his heart he’s a writer. Could the author really leave the hopes of this young man and the reader dashed?

Maybe. I’m not going to give that away. Suffice to say I read this with my heart in my mouth, during the course of today. It’s short and very difficult to put down.

Petterson’s on two out of two with me. ( )
  bringbackbooks | Jun 16, 2020 |
Basically I was wrong about thinking this an inferior work by Per Petterson. It was simply not what I like to read, but it was very well-written and well worth my time. There is much to like about this book and anything I might have to say about it would ruin the experience for somebody else so inclined to read it. But whatever anyone decides to do is fine by me. ( )
  MSarki | Jan 24, 2015 |
As is true of most of Petterson’s novels, not a lot happens on the surface – it’s the inner life of his characters that provides depth. In this back catalogue release, we meet Audun Sletten, a troubled teenager who determinedly keeps his distance from the world and from his troubled family. His only confidant is his friend Arvid Jansen whom readers will remember from I Curse the River of Time. A thoughtful and rewarding novel from multi prize winning Norwegian novelist Per Petterson.
  vplprl | Nov 15, 2013 |
Affichage de 1-5 de 16 (suivant | tout afficher)
Petterson's beautifully spare prose subtly captures the effort that comes with this seeming inaction, this lack of fight, providing us with a lens through which we come to see Audun's grim inertia as a paralysing struggle to forget the past and get on with the task of living.
ajouté par ozzer | modifierThe Guardian, Kristen Treen (Dec 1, 2012)
 
Han er i familie med de socialt bevidste kolleger Fløgstad og især Solstad, men 50-årige Per Petterson har sin egen distinkte stemme, som har indbragt ham flere priser og en indstilling til Nordisk Råds Litteraturpris ... I et muskuløst og ofte galgenhumoristisk sprog beskriver Petterson Auduns liv i lillebyen, og når man har fuldt ham til begyndelsen af hans voksenliv, føler man, at man har kendt ham personligt. Og det er ikke så ringe endda, som man siger i Vendsyssel, hvor Pettersons mor kommer fra.
ajouté par 2810michael | modifierFyens Stiftstidende, Mogens Damgaard
 
Man kommer tæt på hovedpersonen - men uden at blive trættet af utidig, bedrevidende psykologiseren - og når Per Petterson samtidig lader Auduns fraværende far spøge i baggrunden, er det med til at tilføre romanen elementær uhygge og spænding. Alt i alt et stykke fornem skrivekunst fra en forfatter, der ved, hvad han vil, og som docerer sine virkemidler med en præcision, der virker velgørende.
ajouté par 2810michael | modifierBerlingske Tidende, Søren Kassebeer
 
Endnu engang viser Per Petterson sig som en glimrende stilist med sans for den mindste detalje; et hurtigt blik, et tøvende skridt ... Per Petterson er en psykologiserende sjælegraver. Han kan vist sin Freud og han skriver udfra en stor personlig indsigt i et sind, der bevæger sig indad, en indsigt i forsigtigheden og i beskyttelsesmekanismernes tågeslør. Temaerne er ofte de samme; at finde sig selv, at komme overens med sin fortid og sin arv. Hans persontegning er fantastisk præcis. Den rammer lige på kornet af en bestemt type nordisk melankoli, som jeg bedst kan sammenligne med Herman Bangs følsomme gemytter ... Det er denne her knaphed hos personer og i stil, der gør Per Pettersons romaner værd at læse. Han skriver som en slags nordisk Hemingway, der har fundet både faderkomplekser og omsorgssvigt frem fra den dunkle maskulinitets dyb. Stilen er hårdkogt og præcis, men i modsætning til Hemingway, for hvem maskuliniteten var et mantra, så er Per Pettersons mandlige fortællere aldrig mere sikre i deres sag, end at de konstant har ondt i maskuliniteten. De er kommet ned fra bygden, de er holdt op med at hugge brænde og jage vildt i de store skove og jagter i stedet sig selv i store ansigtsløse forstadskvarterer i udkanten af Oslo.
ajouté par 2810michael | modifierDR Kulturnyt, Jacob Kreutzfeldt
 
Der er en vidunderligt drift over den norske litteratur i disse år. Det knager og brager i fjeldene og det myldrer frem med eminente bjergkrystaller, som suger liv og længsler ud af folk og gør én helt rundtosset af begejstring. Og Batzer & Co. - det lille forlag med det store mod - står lykkeligt parat som en anden geolog og samler op uden at gøre det store væsen af sig. Det er ikke nødvendigvis de største og mest synlige klumper, der puttes i rygsækken, men det er så absolut nogle af de mest spændende ... En realistisk roman som Det er okay med mig er i en eller anden forstand altid brutal, fordi billederne skrives frem uden skånsomme filtre. Men at det brutale ligefrem kan eje sin egen særlige blidhed er Per Petterson et suverænt bevis på. For medens brutaliteten ligger i selve den skånselsløse udlevering af menneskets brister, ligger blidheden i den stilfærdige accept af, at sådan er livets vilkår.
ajouté par 2810michael | modifierJyllands-Posten, Henriette Bacher Lind
 
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On his first day of school, a teacher welcomes Audun to the class by asking him to describe his former life in the country. But there are stories about his family he would prefer to keep to himself, such as the weeks he spent living in a couple of cardboard boxes, and the day of his little brother's birth, when his drunken father fired three shots into the ceiling. So he refuses to talk and refuses to take off his sunglasses. In his late teens Audun is the only one of his family who remains with his mother in their home in a working-class district of Oslo. He delivers newspapers when he is not in school and talks for hours about Jack London and Ernest Hemingway with his best friend Arvid. But he's not sure that school is the right path for him, feeling that life holds other possibilities.

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