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Chargement... Experimental Animation : Origins of a new art (1976)par Robert Russett, Cecile Starr (Auteur)
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A collage composed from the energies, enthusiasms and ideas of a hearty band of film mavericks whose exploits are for the first time treated in book form. A number of motifs emerge from Russett's and Starr's collection, including the vibrant interface between film and the other arts (painting and music), the growing importance of evolving technologies and, most important, film's exciting potential as a mode of personal expression. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)778.5347The arts Photography, computer art, cinematography, videography Special Applications Film making Film Making and Editing Motion graphics AnimationClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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I once guest-lectured in Steve Kurtz's Intro to Film class at Carnegie-Mellon University. I made a video of the 1st minute of movies I selected as of maximal significance & quality (NO D. W. Griffith! or Leni Riefenstahl!) for every 5 yrs since the cinema began (& a little before). I screened this for what was apparently a classroom full of statues. I say statues b/c when it came time for Q&A I cdn't tell whether the students were breathing or not. They certainly weren't asking questions. I reckon I must've been a lousy teacher - giving them too much at once or sumpin'. Anyway, the students didn't ask me anything but Steve asked me why there was so much animation. READ "EXPERIMENTAL ANIMATION" & you'll undertsand why my own personal history emphasizes animation so much in general - thru animation, some of the most clever, vivid, imaginative work of all time has been made (yes - even in the eons before I was born - wch, of course, I have vivid 'racial memories' of - even from before I was even a single-cell organism)!! ( )