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Magnifico is a vividly colorful portrait of Lorenzo de' Medici, the uncrowned ruler of Florence during its golden age. A true "Renaissance man," Lorenzo dazzled contemporaries with his prodigious talents and magnetic personality. Known to history as Il Magnifico (the Magnificent), Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time -- Leonardo, Botticelli, Poliziano, and, especially, Michelangelo, whom he discovered as a young boy and invited to live at his palace -- turning Florence into the cultural capital of Europe. He was the leading statesman of the age, the fulcrum of Italy, but also a cunning and ruthless political operative. Miles Unger's biography of this complex figure draws on primary research in Italian sources and on his intimate knowledge of Florence, where he lived for several years. Lorenzo's grandfather Cosimo had converted the vast wealth of the family bank into political power, but from his earliest days Lorenzo's position was precarious. Bitter rivalries among the leading Florentine families and competition among the squabbling Italian states meant that Lorenzo's life was under constant threat. Those who plotted his death included a pope, a king, and a duke, but Lorenzo used his legendary charm and diplomatic skill -- as well as occasional acts of violence -- to navigate the murderous labyrinth of Italian politics. Against all odds he managed not only to survive but to preside over one of the great moments in the history of civilization. Florence in the age of Lorenzo was a city of contrasts, of unparalleled artistic brilliance and unimaginable squalor in the city's crowded tenements; of both pagan excess and the fire-and-brimstone sermons of the Dominican preacher Savonarola. Florence gave birpth to both the otherworldly perfection of Botticelli's Primavera and the gritty realism of Machiavelli's The Prince. Nowhere was this world of contrasts more perfectly embodied than in the life and character of the man who ruled this most fascinating city.… (plus d'informations)
A full-scale biography of Lorenzo the Magnificent, filled with complexities of Florentine political, financial, and social machinations. This is far enough out of my area that it could well be full of errors large and small and I wouldn't notice, but I found it a good read, even if I had trouble at times keeping things straight. I would have liked more on Lorenzo's literary and artistic interests and patronage, but no real matter. ( )
As some one who has studied Lorenzo's life, times, and writing since the 1960s, I can only offer what Sir William Schwenck Gilbert would have called -- obviously in another context -- modified rapture over this book. It is littered with dubious interpretations, such that its value is reduced to being, for English-language readers, value in default of anything notably bette. , Though It certainly beats Hell out of the old Roscoe biography, I think it's "feel" and credibilty are not much of an advance over Maurice Rowdon's book. With all the other things I do, myself will probably not take up the obvious challenge of doing a better job, but I suggest that readers with a serious interest are best advised to try to learn enough Italian to read Lorenzo himslef, to examine some of the academic works -- of which recent years have generated several fine ones -- and make up their own minds. ( )
A detailed, well researched look at the life of Lorenzo the Magnificent, Lorenzi di Piero di Cosimo de'Medici. A surprisingly engaging and engrossing read for a story rooted in Renaissance Italy, this book makes clear Lorenzo's impact on Florence at the height of its powers. Ultimately a sad tale, because this true Renaissance man died too young and his works were undone too quickly, this book makes one want to read more about the Medici family. I would have preferred more information about Lorenzo's personal life - his wife and children are only briefly alluded to in the book - but one is limited to the sources available, I expect. A fascinating look at a fascinating man in a fascinating period of time. ( )
Magnifico is a vividly colorful portrait of Lorenzo de' Medici, the uncrowned ruler of Florence during its golden age. A true "Renaissance man," Lorenzo dazzled contemporaries with his prodigious talents and magnetic personality. Known to history as Il Magnifico (the Magnificent), Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time -- Leonardo, Botticelli, Poliziano, and, especially, Michelangelo, whom he discovered as a young boy and invited to live at his palace -- turning Florence into the cultural capital of Europe. He was the leading statesman of the age, the fulcrum of Italy, but also a cunning and ruthless political operative. Miles Unger's biography of this complex figure draws on primary research in Italian sources and on his intimate knowledge of Florence, where he lived for several years. Lorenzo's grandfather Cosimo had converted the vast wealth of the family bank into political power, but from his earliest days Lorenzo's position was precarious. Bitter rivalries among the leading Florentine families and competition among the squabbling Italian states meant that Lorenzo's life was under constant threat. Those who plotted his death included a pope, a king, and a duke, but Lorenzo used his legendary charm and diplomatic skill -- as well as occasional acts of violence -- to navigate the murderous labyrinth of Italian politics. Against all odds he managed not only to survive but to preside over one of the great moments in the history of civilization. Florence in the age of Lorenzo was a city of contrasts, of unparalleled artistic brilliance and unimaginable squalor in the city's crowded tenements; of both pagan excess and the fire-and-brimstone sermons of the Dominican preacher Savonarola. Florence gave birpth to both the otherworldly perfection of Botticelli's Primavera and the gritty realism of Machiavelli's The Prince. Nowhere was this world of contrasts more perfectly embodied than in the life and character of the man who ruled this most fascinating city.
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