AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Wizardry & Wild Romance: A Study of Epic Fantasy (1987)

par Michael Moorcock

Autres auteurs: Voir la section autres auteur(e)s.

MembresCritiquesPopularitéÉvaluation moyenneMentions
347474,481 (3.77)12
Newly revised and expanded by the author, this study of epic fantasy analyzes the genre from its earliest beginnings in Medieval romances, on through practitioners like Tolkien, up to today's brightest lights.
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 12 mentions

A survey of epic fantasy through the lenses of the author's biases, stated in various places. He is scathing about the Inklings: Tolkien, C S Lewis and Charles Williams. One of the things he dislikes about Tolkien is the latter's supposedly small minded environmental concerns and yet this is one of the aspects that probably appeals the most to modern readers given the ongoing loss of habitat and biodiversity. He views them as Oxford snobs. As someone who obsessively re-read Lewis ' Narnia series as a child, despite being working class myself, that all went over my head at the time and I just enjoyed the stories and characters. I've yet to re-read them but doubt I'll develop the antipathy towards them that the author demonstrates.

He highly rates the late Fitz Leiber, as do I, having discovered his work when at high school, and he points out the male dominated nature of the genre and the good work being done by women at the time of publication (my copy is the first edition). But a singular omission in his discussion of women fantasy writers of the period is Tanith Lee who was very prolific at the time although her early work was published in the States since she couldn't get UK publishers interested. I found it odd - she wasn't even mentioned in passing, unlike Katherine Kurtz who at least had her surname included, though frustratingly nothing more. Another odd omission is that despite discussing some of the work of André Norton, he fails to even mention her Witch World series, her biggest contribution to the genre.

A lot of the book consists of quotes from various works but with not much critical input. He also states up front that he has excluded his own writing so anyone hoping for insights into the development of the Eternal Champion canon will be disappointed. Given the uneven nature of the book, for me it rates an OK 2 stars
  kitsune_reader | Nov 23, 2023 |
Since the long gone days of me reading Elric and Corum I always thought Michael Moorcock is some kind of pulp writer but actually he is very clever - which also explains why I loved Corum and Elric ;). So I read through his little journey into the world of fantasy and enjoyed it quite much. Besides pointing out some nice reading recommendations (Broken sword) I am was also impressed about his thoughts about the future of the genre which isn´t repeating old stereotpyes and cliches but about writing better fantasy that doesnt treat women as subject and features heroes that never really grow up. Worth reading! ( )
  iffland | Mar 19, 2022 |
Ultimately unsatisfying... Moorcock's argument against Tolkien and his ilk is unconvincing when it is on the basis of writing and immaterial when on the basis of politics. Many of the more recent fantasy fictions influenced by the British left have been equally silly. Also, dismissing Cabell and Vonnegut as contrived? I shouldn't really bring up Moorcock's own writing, but... dude shouldn't front. ( )
2 voter selfnoise | Jul 22, 2007 |
4 sur 4
aucune critique | ajouter une critique

» Ajouter d'autres auteur(e)s (4 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Michael Moorcockauteur principaltoutes les éditionscalculé
Edwards, LesArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
And you love take my right hand,
Come join the faery folks' last dance;
Then we'll sleep and dream of Elfland,
Her wizardry and wild romance.


Wheldrake,
The Elvish Rune,
1877
Dédicace
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
For Jim Cawthorn
who introduced me to so many good writers and whose illustrations over the past forty years have given me so much pleasure
and inspiration . . .

And for Brian Tawn, Pete Knifton, Dave Britton, Charles Partington, John Coulthart and other discriminating readers of fantastic fiction who will continue to disagree with a fair amount of the arguments in this essay . . .

And to the memory of
Bill Butler, who died in
his sleep, aged 43, 20th
October, 1977.
Premiers mots
Citations
Informations provenant du Partage des connaissances allemand. Modifiez pour passer à votre langue.
It would be refreshing, however, to see a few more good hero-villains in modern epic fantasy. Even better would be some full-blooded heroine-villainesses! Their presence might improve a form which is already showing signs of sterility.
It´s probably no coincidence that the majority of writers best known as fantasts, at least until the present couple of generations, were introverted, reclusive, misanthropic, or that a strong vein of misogynism built itself into the conventions of the genre over the years, so that women were unbelievably beautiful goddesses, treacherous jades or silly slave-girls. Much fantasy was characteristically bachelor-fiction.
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais (5)

Newly revised and expanded by the author, this study of epic fantasy analyzes the genre from its earliest beginnings in Medieval romances, on through practitioners like Tolkien, up to today's brightest lights.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.77)
0.5 1
1
1.5 1
2 5
2.5
3 9
3.5 4
4 17
4.5 2
5 14

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 204,715,607 livres! | Barre supérieure: Toujours visible