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Death Has Deep Roots (1951)

par Michael Gilbert

Séries: Inspector Hazelrigg (5)

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18614146,080 (3.91)26
"A London crowd awaits the trial of Victoria Lamartine, suspected for the murder of her former lover. Lamartine - who years ago escaped from the Gestapo - is set to meet her end at the gallows. One final opportunity remains: solicitor Nap Rumbold is called to replace the defence counsel, granting an eight-day reprieve. Without any time to spare, Rumbold crosses the Channel to trace the roots of the crime back into the war-torn past. Expertly combining authentic courtroom drama at the Old Bailey with a perilous quest for evidence across France, Gilbert's novel is an unorthodox marvel of the mystery genre"--… (plus d'informations)
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» Voir aussi les 26 mentions

Affichage de 1-5 de 14 (suivant | tout afficher)
Note: I accessed digital review copies of this book through Edelweiss and NetGalley.
  fernandie | Sep 15, 2022 |
excellent combination of court drama and WWII resistance history ( )
  Overgaard | Jun 26, 2022 |
Victoria Lamartine, an ex-French Resistance fighter and now hotel worker is standing trial for the murder of her former manager in France, and alleged lover, Major Eric Thoseby. A seemingly straightforward trial as she is the only logical suspect.
Just before her trial she changes her defence counsel, and solicitor. The latter, with help try and find new evidence.
It took a few chapters to get into the book but then I came interested in the story and really enjoyed the unfolding of this well-written story.
Originally published in 1951
A NetGalley Book ( )
  Vesper1931 | Jul 29, 2021 |
The book started out great with a court room drama that was headed towards disaster as the defendant changed her legal advisors at the very last minute and her new barristers struggled for time to prepare a case that seemed to be a foregone conclusion. Thrilling stuff.
Unfortunately, once a little time is granted, the story changes into action mode, where we see threats, stabbings, and people digging up dirt from the past. Yep, this was so boring. I often had to flip back to a previous chapter to find out why we were where we were and what we were trying to accomplish. Seriously, this was not good.
What made the book worse was the ending. Just when I hoped we’d be able to get back to the sparkle of the first chapters, the book plunged into a diatribe on morality.
Now, I understand that this section reflected the mores of its time, or at least the mores of a certain strata middle-class England and – from what I have read – the English legal system at the time. However, as a reader I was not in the mood to put up with outright mysogyny and acceptance of double-standards that was portrayed in the story. What irked me most was that the social issues that were depicted could have been, and only a couple of decades later probably would have been!, picked up as part of the legal drama. But no. Instead of taking apart the bias toward the defendant instilled in both society inside and outside of the court room, Gilbert decided to present a pedestrian solution that seemed to have been pulled out of a hat. It was all very, very disappointing, especially because my first encounter with Gilbert’s work in [Smallbone Deceased] not long ago had me hope that Gilbert could be another author I would want to read more by. ( )
  BrokenTune | Sep 8, 2020 |
Great fun and a swiftly paced page turner so I gave it a high rating --for me--within its genre. A French woman is accused of murdering a British major, and the mystery centers on events in wartime France where the woman was a member of the resistance working with the British. The tale develops and the mystery is gradually solved as the author skips between the British courtroom trial and the adventures of the young lawyer sleuth seeking evidence in France. The characters were likeable and the courtroom proceedings interesting and entertaining while the structure of the story was solid. ( )
  amaraki | May 8, 2020 |
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"A London crowd awaits the trial of Victoria Lamartine, suspected for the murder of her former lover. Lamartine - who years ago escaped from the Gestapo - is set to meet her end at the gallows. One final opportunity remains: solicitor Nap Rumbold is called to replace the defence counsel, granting an eight-day reprieve. Without any time to spare, Rumbold crosses the Channel to trace the roots of the crime back into the war-torn past. Expertly combining authentic courtroom drama at the Old Bailey with a perilous quest for evidence across France, Gilbert's novel is an unorthodox marvel of the mystery genre"--

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