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Chargement... Breaking and Remaking: Aesthetic Practice in England, 1700-1820par Ronald Paulson
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Paulson shows how 18th-century English poets and artists confronted the decline of High Renaissance ideals in literary theory and aesthetics. The book is less a single extended argument, though, than a collection of brilliant insights and interpretations: Pope as Ovidian poet; Joseph Wright as Shandyan artist. Especially stimulating are the readings of Hogarth, Wright, Gainsborough, Stubbs, and Constable that comprise the second half of the book. Except for the deconstructionist jargon, the discussions are lucid and compelling. Highly recommended for libraries supporting graduate programs in literature or art. Aucune description trouvée dans une bibliothèque |
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![]() GenresClassification décimale de Melvil (CDD)700.1The arts Modified subdivisions of the arts Standard subdivisions of the arts Philosophy and theory of the artsClassification de la Bibliothèque du CongrèsÉvaluationMoyenne: Pas d'évaluation.Est-ce vous ?Devenez un(e) auteur LibraryThing. |