Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.
Résultats trouvés sur Google Books
Cliquer sur une vignette pour aller sur Google Books.
"The quest for an Anglo-American copyright agreement was repeatedly thwarted throughout most of the nineteenth century, due to the effect of lobbyists and influence-peddlars on the American Congress. This meant that in the United States the question of international copyright was not decided on its own merits but rather by pressure groups who wielded great financial and private power upon the legislators. The opposite was true in Great Britain, where Parliament was far more interested in the rights of authors and publishers and had already passed a number of statutes promoting international copyright. Copyright agreements, however, needed to be mutually agreed upon by both countries, and the United States would not reciprocate. In desperation, a group of British authors and publishers decided to play the game of politics American-style, and with great caution they raised enough money to defray the expenses of a secret lobby in Washington. A copyright treaty was duly signed by the Secretary of State and all that was required was Senate approval. Authors, Publishers and Politicians describes these efforts to secure an Anglo-American copyright agreement. It explores the underlying causes of the failure of this quest, a failure which enabled literary piracy on both sides of the Atlantic to continue operations for a further forty years. It traces the effects this had on the writers and producers of books as well as their reading public. Few aspects of Anglo-American relations were untouched by the drama presented in this study. Its broader implications range from the straightforward business transactions, official diplomatic manoeuvers, endless legal complexities, and clandestine political intrigue, to the peculiarities involved in book smuggling, newspaper rivalries, and industrial espionage. James J. Barnes is Associate Professor of History at Wabash College, Crawfordsville, Indiana, where he has been teaching history since 1962. As a result of several research grants from foundations such as the American Council of Learned Societies, the Social Science Research Council and the American Philosophical Society, he has been able to spend considerable time in London during the past few years undertaking research for this book. He is the author of Free Trade in Books: A Study of the London Book Trade since 1800 (O.U.P., 1964)."… (plus d'informations)
Références à cette œuvre sur des ressources externes.
Wikipédia en anglais
Aucun
▾Descriptions de livres
"The quest for an Anglo-American copyright agreement was repeatedly thwarted throughout most of the nineteenth century, due to the effect of lobbyists and influence-peddlars on the American Congress. This meant that in the United States the question of international copyright was not decided on its own merits but rather by pressure groups who wielded great financial and private power upon the legislators. The opposite was true in Great Britain, where Parliament was far more interested in the rights of authors and publishers and had already passed a number of statutes promoting international copyright. Copyright agreements, however, needed to be mutually agreed upon by both countries, and the United States would not reciprocate. In desperation, a group of British authors and publishers decided to play the game of politics American-style, and with great caution they raised enough money to defray the expenses of a secret lobby in Washington. A copyright treaty was duly signed by the Secretary of State and all that was required was Senate approval. Authors, Publishers and Politicians describes these efforts to secure an Anglo-American copyright agreement. It explores the underlying causes of the failure of this quest, a failure which enabled literary piracy on both sides of the Atlantic to continue operations for a further forty years. It traces the effects this had on the writers and producers of books as well as their reading public. Few aspects of Anglo-American relations were untouched by the drama presented in this study. Its broader implications range from the straightforward business transactions, official diplomatic manoeuvers, endless legal complexities, and clandestine political intrigue, to the peculiarities involved in book smuggling, newspaper rivalries, and industrial espionage. James J. Barnes is Associate Professor of History at Wabash College, Crawfordsville, Indiana, where he has been teaching history since 1962. As a result of several research grants from foundations such as the American Council of Learned Societies, the Social Science Research Council and the American Philosophical Society, he has been able to spend considerable time in London during the past few years undertaking research for this book. He is the author of Free Trade in Books: A Study of the London Book Trade since 1800 (O.U.P., 1964)."
▾Descriptions provenant de bibliothèques
Aucune description trouvée dans une bibliothèque
▾Description selon les utilisateurs de LibraryThing