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Chargement... J.M.W. Turner (2005)par Peter Ackroyd
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Turner's art fascinates me, I have a screensaver that is simply a slide show of some of his oils and watercolors, but I knew nothing about him. Now I know a lot, Ackroyd has done it again! I am getting addicted to his brief lives biographies. ( ) In the second of his "Brief Lives" series, Ackroyd delves into the life of the man who was arguably England's greatest landscape painter. A Londoner to the core, he was the son of a barber and his mother's family were butchers. He began drawing quite young and, having initially apprenticed with an architect, entered the Royal Academy when he was only fourteen years old. This little volume is jam-packed with information about Turner's rise to the top of the artistic heap, how he worked and taught, his techniques, his rivalries. He seems always to have been working. Ackroyd cites a comment made by a fellow traveler in Italy, who, not knowing who his traveling companion was, described Turner as "continually popping his head out of the window to sketch whatever strikes his fancy." It's also the story of his personal life; although he never married, he was a great one for the ladies and had more than one long-term relationship. His mother is believed to have died insane, but he was very close to his father, who lived with him and worked as his assistant. This is quite a good little introduction to both Turner and his work. aucune critique | ajouter une critique
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In this second volume in the Ackroyd's Brief Lives series, bestselling author Peter Ackroyd brings us a man of humble beginnings, crude manners, and prodigious talents, the nineteenth-century painter J. M. W. Turner. Joseph Mallord William Turner was born in London in 1775. His father was a barber, and his mother came from a family of London butchers. "His speech was recognizably that of a Cockney, and his language was the language of the streets." As his finest paintings show, his language was also the language of light. Turner's landscapes--extraordinary studies in light, colour, and texture--caused an uproar during his lifetime and earned him a place as one of the greatest artists in history. Displaying his artistic abilities as a young child, Turner entered the Royal Academy of Arts when he was just fourteen years old. A year later his paintings appeared in an important public exhibition, and he rapidly achieved prominence, becoming a Royal Academician in 1802 and Professor of Perspective at the Academy from 1807-1837. His private life, however, was less orderly. Never married, he spent much time living in taverns, where he was well known for his truculence and his stinginess with money. Peter Ackroyd deftly follows Turner's first loves of architecture, engraving, and watercolours, and the country houses, cathedrals, and landscapes of England. While his passion for Italy led him to oil painting, Turner's love for London remained central to his heart and soul, and it was within sight of his beloved Thames that he died in 1851. His dying words were: "The sun is God." Also available in ACKROYD'S BRIEF LIVES Chaucer Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)759.2The arts Painting History, geographic treatment, biography England and British IslesClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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