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The Pieces from Berlin

par Michael Pye

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1713159,279 (3.02)1
In the great disorder of wartime Berlin, Lucia Muller-Rossi was an unofficial star: mistress to an Ambassador, the whole world to her young son, and guardian of all the lovely things her Jewish friends were forced to leave behind as they took the trains tothe death camps. Sixty years later, one of those fine pieces sits for sale in the window of Lucia's antiques shop-- and its true owner happens to pass by. In that moment, a whole lifetime of silence cracks open and Lucia's family face the wrenching duty of examining a past almost too horrifying to remember.… (plus d'informations)
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In "The Pieces from Berlin" Michael Pye gives us a very spare consideration of guilt over past sins. The sin? Stealing or hoarding artwork in the face of Nazi confiscation from Jews. The miscreant in this case is a now-elderly woman who took custody of a considerable number of pieces, who while purportedly doing a service to her Jewish clients, nevertheless becomes wealthy and prominent as the holder of the valuables.

I stuck with this lean, almost skeletal, story, but it fell short for me on multiple counts. The characters' motivations, particularly the old woman's son (who kills himself), are a mystery. We're not placed in the time or place effectively at all, and the oblique thought processes that run through the book left me unconvinced. As I finished this book, it felt simply like an exercise that I was dutifully finishing.

http://bassoprofundo1.blogspot.com/2010/06/pieces-from-berlin-by-michael-pye.htm... ( )
  LukeS | Apr 7, 2009 |
Another one I gave up on. It looks back at WWII in Europe in short, choppy sections made up of short, choppy sentences, and with little sense of story line. ( )
  mbergman | Nov 9, 2007 |
excellent book, I had to read all of his other books ( )
  bhowell | Dec 30, 2006 |
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He went rolling down into the city, his coat like a cone of green felt all around him, like some round wooden toy: so good and kind and clever, so big and so kind, so that everyone knew he must be a truly happy man.
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In the great disorder of wartime Berlin, Lucia Muller-Rossi was an unofficial star: mistress to an Ambassador, the whole world to her young son, and guardian of all the lovely things her Jewish friends were forced to leave behind as they took the trains tothe death camps. Sixty years later, one of those fine pieces sits for sale in the window of Lucia's antiques shop-- and its true owner happens to pass by. In that moment, a whole lifetime of silence cracks open and Lucia's family face the wrenching duty of examining a past almost too horrifying to remember.

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