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Rome from the Ground Up

par James H. S. McGregor

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Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities--architectural, historical, political, and social--that constitute Rome. A multifaceted historical portrait, this richly illustrated work is as gritty as it is gorgeous, immersing readers in the practical world of each period. James McGregor's explorations afford the pleasures of a novel thick with characters and plot twists: amid the life struggles, hopes, and failures of countless generations, we see how things truly worked, then and now; we learn about the materials of which Rome was built; of the Tiber and its bridges; of roads, aqueducts, and sewers; and, always, of power, especially the power to shape the city and imprint it with a particular personality--like that of Nero or Trajan or Pope Sixtus V--or a particular institution. McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. And, in archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own beautifully written account, the power and politics emerge clearly, manifest in the distinctive styles and structures, practical concerns and aesthetic interests that constitute the myriad Romes of our day and days past.… (plus d'informations)
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McGregor starts off by saying Rome is an agglomeration of historical cities. That statement alone fires the imagination and makes one want to read on. Rome was not a planned city. It has gone through multiple redesigns. Each city section had its own purpose, much like New York City has it's myriad of regions within the five boroughs. Yes, McGregor will walk you through every section of Rome and describe everything along with way with meticulous care. He encourages readers to take Rome from the Ground Up as a guide book to the city. He does not include restaurants or the best places to stay, as those will change over time.
Here are some of the things I gleaned from reading Rome from the Ground Up: the Mouth of Truth may have been an ancient manhole and sewer cover. There were two palaces of power, the Vatican and the Quirinal. Julius Caesar was assassinated and his body burnt on a pyre in the Forum. Later, a temple was built on the spot and dedicated to him. Laurel trees were sacred to Apollo. Read Rome from the Ground Up if you are into minute details descriptions of architecture, including details on the art within every museum, church, or chapel. ( )
  SeriousGrace | Oct 19, 2023 |
Very nice, pity for the photos which are too small. ( )
  Sevedb | Jul 14, 2008 |
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Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities--architectural, historical, political, and social--that constitute Rome. A multifaceted historical portrait, this richly illustrated work is as gritty as it is gorgeous, immersing readers in the practical world of each period. James McGregor's explorations afford the pleasures of a novel thick with characters and plot twists: amid the life struggles, hopes, and failures of countless generations, we see how things truly worked, then and now; we learn about the materials of which Rome was built; of the Tiber and its bridges; of roads, aqueducts, and sewers; and, always, of power, especially the power to shape the city and imprint it with a particular personality--like that of Nero or Trajan or Pope Sixtus V--or a particular institution. McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. And, in archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own beautifully written account, the power and politics emerge clearly, manifest in the distinctive styles and structures, practical concerns and aesthetic interests that constitute the myriad Romes of our day and days past.

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