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X-Men: Supernovas par Mike Carey
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X-Men: Supernovas (édition 2008)

par Mike Carey, Chris Bachalo (Illustrateur), Humberto Ramos (Illustrateur)

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1055261,236 (3.28)1
As old threats are still having their effects, new, more deadly threats emerge from the unlikliest of places. Threats that spell doom for the X-Men.
Membre:lipsum
Titre:X-Men: Supernovas
Auteurs:Mike Carey
Autres auteurs:Chris Bachalo (Illustrateur), Humberto Ramos (Illustrateur)
Info:Marvel (2008), Paperback, 336 pages
Collections:Votre bibliothèque, En cours de lecture
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Mots-clés:graphic novel, superheroes, x-men, marvel comics, trade paperback

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X-Men: Supernovas par Mike Carey

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5 sur 5
Following "House of M", the Earth's mutant population is reduced to less than 200 individuals, and suddenly an endangered species. This volume does a decent job of having its plots spring out of that desperation without actually being about it. It's also got heaps of great character moments (Mystique in particular shines here), and fun dialogue. The stories themselves, though, feel a bit bombastic and villain-of-the-month-y, as one giant threat dovertails into the next, unrelated one, time and again throughout the volume. I enjoy the character stuff red threads going through and between these action-fests, though, and in some cases the stakes actually manage to feel high in spite of the special effects fatigue, so all in all the read was a good one. ( )
  Lucky-Loki | Nov 15, 2021 |
Good art with some interesting stories. Sometimes I feel that X-Men (and comics in general) through enormously superior foes that should walk all over the heroes, but they are somehow defeated by a loophole or some such. I suppose that this is what we want, an underdog story where the heroes and good triumph after much adversity. ( )
  quinton.baran | Mar 29, 2021 |
Okay, now this is more modern storytelling. More realistic graphics. More explosions. More cynicism. More confusing. "A perfect starting point for any new reader!" chirps the back cover. "Uh, sure, if you say so," say I. Hey, I may not have always understood just what was going on (I really should look up the comics immediately proceeding this), but you sure could eat popcorn to it.

There's a lot here I loved. I loved this bad-ass version of Rogue, so different from the vaguely whiny, self-pitying Rogue of the movies. Mystique, here, has joined the X-Men, and is less gleefully bad-ass, but actually somehow strangely mournful. I never really understood what was going on between the two women (clearly, I missed out on a lot of history), but it was interesting. Bobby/The Ice Man has grown into himself and is pretty powerful, but appears to have some sort of romance with Mystique, which, given what little I've managed to work out about her relationship with Rogue -- leads me to say "Wha....?"

The bad guys are all very interesting, even if they come in ridiculously quick succession. I am more and more intrigued by Hank/The Beast. Given that my favorite Avenger is Bruce Banner/The Hulk, I'm starting to think that maybe I have a type. But one of the most interesting characters in this collection is the pissed off and vengeful Lady Mastermind. Generally it is probably not a good idea to aggravate someone who can project illusion and alternate realities into your mind. No one wants to live the rest of their life covered in bugs. And this girl has an imagination, so she can come up with much, much worse.

All in all, it was engaging enough to make up for the confusion. Someday I'll have to seek out more of this storyline. ( )
  greeniezona | Dec 6, 2017 |
I like Chris Bachalo and Humberto Ramos' art styles, but in combination with the stories by Mike Carey, I have to admit to being confused as heck in a lot of places in these comics as to what is going on, or what I am supposed to interpret from the intersection of art and story. If I just shrug my shoulders and move on from those points, however, there is more than enough to be an enjoyable read. The Supernovas arc is about a fight against beings who are the result of thousands of years of evolution. If you accept that as the excuse for some good fight scenes, this story will go down a lot smoother than if you wonder why these beings feel the need to take over the Earth by force when they could probably a) do so more easily by guile, or b) ditch Earth altogether. ( )
  lithicbee | Jan 11, 2010 |
Supernovas brought about some significant changes for the X-Men team that Rogue leads. Cyclops basically gives her full reign to choose a team as she sees fit, and while in the end the team isn't exactly to his liking, she reminds him that he let her choose her own team, and they leave it at that.

The volume is broken into three distinct story arcs, the first dealing with The Children of the Vault, a group of humans that were housed in a time accelerating field, so that in the some-odd years that they were housed in the ship where the machine was located, something like 6,000 years have passed, so they can almost be viewed as a separate species now. They want to keep their existence a secret for the time being, but Sabretooth has discovered them, so they go in pursuit of him, and he eventually turns to the X-Men for help and asylum. The Children of the Vault attack SHIELD and capture Northstar (who SHIELD is trying to rehabilitate) and Aurora, to aid them in attacking the X-Men. The story becomes a little convoluted (a little, some ask?) but ends with The Children of the Vault defeated and the X-Men commandeering their flying barge, the Conquistador.

The next story arc deals with the X-Men trying to get SHIELD to help rehabilitate both Northstar and Aurora, now. In the meantime, Exodus and his Acolytes try to capture the Helicarrier to recreate into a new home for the remaining mutants on the planet. Northstar and Aurora come to their senses long enough to help battle Exodus, and the X-Men are victorious because of their aid. Exodus also learns at this point that there are no more mutants and the possibility of a mutant birth is non-existent due to the Scarlet Witch and the events of House of M. (Confused, yet?)

The final story arc deals with Rogue and her team going after the members of the hospital responsible for dissecting mutants and trying to gene-splice their powers onto regular humans, the ultimate goal of which is to create a 'super' human out of Pandemic, a former colleague of Professor X, who sees Rogue and her ability to borrow the powers of people she touches as the next step in his evolution, even though he is human. Lots happens here, but the base result is, Pandemic is defeated (by absorbing Sabretooth's powers, including his healing factor) and Rogue is infected with Strain 88, which causes her powers to fluctuate way out of control, to the point that she will instantly kill anyone who touches her, absorbing all their powers and memories. Meanwhile, Providence is attacked by the Hecatomb, a weapon created by the Shi'Ar to defeat the mummudrai (telepathic parasites). A mummudrai makes its way to Earth, and eventually attaches itself to Cable, in an effort to defeat the Hecatomb, but in the end it is Rogue who saves the day, absorbing all 8 billion minds that compose the Hecatomb and making it vulnerable to an attack from the X-Men. And now Rogue is crazy.

So much happens in this volume, and it does seem to jump around quite a bit, but it is refreshing to see some stories that revolve around some of the more sidelined X-Characters instead of the old standbys. Cyclops, Beast, Wolverine, Emma Frost and such do make an appearance in this volume, but they are as peripheral characters, with most of the action revolving around Rogue's team. Mike Carey keeps the pace non-stop through the volume, almost hectically, leaving the read thrown from one even to the next. It does make the story just fly by, but so much is happening, and again, so many characters are thrown into the mix, that the story almost becomes distracting despite itself. ( )
1 voter tapestry100 | Nov 16, 2009 |
5 sur 5
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As old threats are still having their effects, new, more deadly threats emerge from the unlikliest of places. Threats that spell doom for the X-Men.

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