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Chargement... The Emergence of Cinematic Time: Modernity, Contingency, the Archive (édition 2002)par Mary Ann Doane
Information sur l'oeuvreThe Emergence of Cinematic Time: Modernity, Contingency, the Archive par Mary Ann Doane
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Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)791.43684The arts Recreational and performing arts Public performances Film, Radio, and Television Film Special aspects of films, fim adaptations, film genres Philosophic and abstract themes Philosophic themesClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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