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1969

par Ryū Murakami

Autres auteurs: Voir la section autres auteur(e)s.

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3831466,513 (3.43)1 / 61
In a small, inconsequential city in Japan, all that matters to 17-year-old Kensuke Yazaki and his friends is girls, rock music and, to a much lesser extent, school. Told at high speed and with irresistible humour by Kensuke himself, this is the story of their 1969, as they engage in heated conversations about Marxism, Rimbaud, Godard, the Beatles and the Stones, set up a barricade in their school, organise a rock festival and map out a highly successful strategy in girl-winning. This is a young Japan entirely turned towards the West, pervaded by Western music, where the girls have nicknames pulled from famous British films, but still locked in a fight with the rigid post-war conservatism of the older generation.… (plus d'informations)
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Groupe SujetMessagesDernier message 
 Author Theme Reads: Sixty-Nine by Ryū Murakami2 non-lus / 2rebeccanyc, Juillet 2012

» Voir aussi les 61 mentions

Affichage de 1-5 de 14 (suivant | tout afficher)
Love Ryu Murakami's work. This was good but placed next to his other work I have to call it weak. However, Ryu Murakami's "weak" is better than some author's "good". ( )
  everettroberts | Oct 20, 2023 |
Một cuốn sách của tuổi trẻ, gửi đến tuổi trẻ, viết về tuổi trẻ.
Nên là chẳng có nội dung thông điệp cao siêu gì, chỉ là 1 năm trong cuộc đời của 1 gã trai, năm 1969.
Với nhân vật phụ là vài cô gái xinh đẹp, vài đứa bạn khùng điên, phông nền là một phố thị buồn chán, và cao trào nếu có là vài cuộc nổi loạn nho nhỏ. Điểm xuyết đó đây là thơ ca nhạc họa và vài bộ phim dị dị cho tụi nó làm màu với nhau.
Ôi tin mình đi, chuyện chẳng có gì, chỉ là 1 năm trong cuộc đời thôi mà.

I saw a film today, oh boy ( )
  oceaninmypocket | Nov 29, 2022 |
This is a semi-autobiographical, coming-of-age story about a year in the life of a 17-year-old boy from a rural town in Japan. It’s an important year, being the last one of high school and leading up to university entrance exams, but Kensuke Yazaki is quite bored by it all. It’s 1960 so change is in the air but Ken, as he prefers to be called, only has one thing on his mind: Girls! Overhearing a remark by Kazuko (aka Lady Jane), darling of the school, Ken comes over all political activist and sets about organising an anti-establishment demonstration by barricading the school and daubing slogans all over the place purely to impress her. His actions manage to catch her attention but he knows he’ll have to up the ante if he wants to be taken seriously so, with his two best friends Adama and Iwase, arranges a local festival with Lady Jane to star in a play that Ken will direct and co-star along with her.

This is definitely much lighter in tone than the works I’ve previously read of the other Murakami and is quite humorous in parts. Despite his faults, and there are many of them, Ken is a likeable protagonist. The background is well drawn with many pop-culture references of the time being used to set the scene and provide quite a playlist of music to listen to. This is a fairly short novel (just shy of 200 pages) and is a very easy read. ( )
1 voter AHS-Wolfy | Jul 28, 2014 |
I was worried by the first page, with its lazy misogyny, but it soon became clear that this was the rites of passage story of an immature boy, posturing with his attitude to women. After a couple more pages, I warmed to the protagonist. This is a slight book and, thankfully, not in the same violent vein as In The Miso Soup or Audition. I could hear the main character's voice and imagine the events easily, and it made me feel nostalgia for an era that existed before I was born. It reminded me of Submarine and From Up On Poppy Hill. ( )
  missizicks | Apr 22, 2014 |
This is a sparkling book about Kensuke Yazaki, a teenage boy in Japan in 1969 who really did not like attending school. Together with friends Amada and Iwase, he planned to barricade his school and then stage a protest play. This was all done whilst in the midst of a pervasive and heavy crush on Yazaki's "Lady Jane", Kazuko Matsui.

Although geared to a young adult readership, this book was a delight to read. It was light-hearted, reminiscent of the late 60s, and not malicious or offensive in any way.

How did any of us get through that era? It was a tough time and a wonderful time. I loved this journey back into that era, but also being able to see it through the perspective of a teen in Japan as opposed to the young adult I was in the United States at that time. ( )
  SqueakyChu | Feb 22, 2014 |
Affichage de 1-5 de 14 (suivant | tout afficher)
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Ryū Murakamiauteur principaltoutes les éditionscalculé
McCarthy, RalphTraducteurauteur secondairequelques éditionsconfirmé

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For my friends back then
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Nineteen sixty-nine was the year student uprisings shut down Tokyo University.
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He believed in something that was part of the very air that we breathed in the late sixties, and he was loyal to that something. It wouldn't be easy to explain what that something was.
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In a small, inconsequential city in Japan, all that matters to 17-year-old Kensuke Yazaki and his friends is girls, rock music and, to a much lesser extent, school. Told at high speed and with irresistible humour by Kensuke himself, this is the story of their 1969, as they engage in heated conversations about Marxism, Rimbaud, Godard, the Beatles and the Stones, set up a barricade in their school, organise a rock festival and map out a highly successful strategy in girl-winning. This is a young Japan entirely turned towards the West, pervaded by Western music, where the girls have nicknames pulled from famous British films, but still locked in a fight with the rigid post-war conservatism of the older generation.

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