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Chargement... Leave It To Beany! (original 1950; édition 2008)par Lenora Mattingly Weber
Information sur l'oeuvreLeave It to Beany! par Lenora Mattingly Weber (1950)
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Meh. Beany is obnoxious, Mary Fred is clueless, Johnny is abstracted, Dad is absent, the housekeeper is stupid, the cousin is stiff-necked but multiply-wronged, the advice columnist is a crusty old saint with a heart of gold, the old guy is a demented and pitiful thing except when he's being noble, the boyfriend is a dork, the girlfriend's mother is clueless, the plot is a cardboard cut-out. I knew exactly where we were going. Hell, I even knew where the confounded bracelet was. But still, I read the whole thing. aucune critique | ajouter une critique
Appartient à la sérieBeany Malone (3)
Beany has her hands full dispensing advice to the lovelorn through a newspaper column and helping her Irish cousin adjust to the hectic life of the Malone family. paperback Aucune description trouvée dans une bibliothèque |
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Originally published by Thomas Y. Crowell in 1950, and then reprinted in this paperback edition by Image Cascade Publishing in 1999, Leave It To Beany! is an engaging follow-up to its two predecessors. Although I wouldn't say I found it quite an appealing as Meet the Malones or Beany Malone—something about the wartime and immediate post-war settings of those earlier books lent them pathos—it was nevertheless quite fun to read. Of course, there were moments of discomfort here, chiefly in the way in which Beany and, to a lesser extent, the other Malone siblings were so oblivious to Sheila's unhappiness—but there were also plenty of moments of humor. One is never in much doubt as to the happy conclusion of each sub-plot, but it was still a pleasure to watch everything unfold, and to follow along as all of the quandaries into which Beany has gotten herself are eventually straightened out. My only critique, and it is a similar one to that I made in my review of Beany Malone, is that although the author depicts some very real emotional trauma here, in the form of Johnny's response to