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Chargement... Rebellespar Anna Godbersen
Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Alright, as a reader well versed in the world of Edith Wharton and Gilded Age mores, I've got to say it was a lazy "fix for when the classics got a bit dry"... What started promising soon spirited into a love web of unending proportions, with plot thin enough to glaze a donut and it's predictability so startling I asked myself if the last hundred pages were even worth skimming. I slogged my way through it though, with some interesting themes playing through my head to distract me from the mess held in my hands. Firstly it helped to imagine all the characters in Forsyte Saga level costumes (who let them get away with that atrocious cover?) and May Welland conversation abilities, so I guess that masked the sometimes lazy social etiquette and dialogue. It's wasn't bad per se, I don't mind bypassing historical accuracy (which was for the most part impressive and I commend) for some fun. This takes me to my second point: unfortunately the pretty Astor allusions and Newport mummery could not save the complete pointlessness of this novel. Never once did I feel the characters come alive. To me they all felt like horrible stock fillers dressed up and swept from scene to scene, floating abysmally and near drowning in the fabricated woes of their lives. No lessons where learned, no growth could be measured, nothing but whining about how awful their situation was. Where are the strong characters? Is it too much to ask for a character that has more than one personality trait and can properly express inner feelings in a believable way? (And before you mention Diana — no — a strong female character /=/ having little interest in feminine qualities and displaying a more boyish attitude. That belief is almost in itself as annoying as the antithesis it tries to contrast, ugh.) At the end of the day, if this really interests you, don't bog yourself down in the nitpicky historical inaccuracies. I genuinely see it as a "what if" book of manners; the bad kids stories that never reach the light of day. (Unfortunately still a massive time waster. Will not be reading the rest. Would not recommend.)
A delicious new twist along the Gossip Girl vein, readers will clamor for this sharp, smart drama of friends, lovers, lies and betrayal. The dialogue has its clunky moments, and the plot twist that drives the tale is telegraphed from the very start, but readers caught up in the fancy dress intrigue are unlikely to mind much: Appartient à la sérieLuxe Novels (1) Est contenu dansPrix et récompensesListes notables
Dans le New York de la fin du XIXe si cle, Elizabeth Holland n'a aucune envie d' pouser Henry Schoonmaker, le riche fianc choisi par ses parents, d'autant plus qu'elle aime Will, le domestique de la maison. Elles sont belles, riches, snobs, amoureuses et pr tes tout pour trouver un mec, l'argent et la gloire... Scandales, drames et complots sur fond d'humour et de passion: le roman d'une jeune fille libre en 1899 Manhattan. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.6Literature English (North America) American fiction 21st CenturyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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Final Word: I finished with mixed feelings. It not a good historical fiction and only a middling book- yet I may end up picking up the others for the sake of its unusual construction and perspective.
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