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Mad Dash (2007)

par Patricia Gaffney

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1848147,887 (3.5)2
The puppy started it. The poor thing was cold and trembling, abandoned on their front doorstep. Dash, impulsive as always, decides on the spot that they should keep it. But her husband, Andrew, thinks it's the craziest thing he's ever heard. A fight over a scruffy little dog doesn't seem like much of a reason to walk out on your husband of twenty years - but the spat over the puppy is just the last of many straws. Dash is so tired of the faculty parties at Mason-Dixon College that Andrew insists they attend even though he won't mingle with his colleagues, tired of his constant fretting over illnesses he doesn't have, tired of the glass of warm milk he must have every night before bed. Why can't he see that with her mother gone and their daughter off at college, Dash needs something more? Now, living on her own for the first time in years, Dash can do whatever she wants...if only she could figure out what that is. But every time she starts making plans for the future, she finds herself thinking about the past - remembering the mother she's lost, her daughter's childhood, and the husband she isn't entirely sure she wants to leave behind...… (plus d'informations)
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Affichage de 1-5 de 8 (suivant | tout afficher)
I liked the protagonist's name and the last chapter (though that might be simply because it was the last chapter). ( )
  SMBrick | Feb 25, 2018 |
This chick lit was not as fast-paced as I'd hoped. Although the issues it deals with - mid-life crisis, re-inventing your life - are real and serious, I felt the story could have been told in 100 less pages, & with more impact. By halfway through the book, I discovered I really didn't care about the characters. For me, a serious flaw in the story. ( )
  Frances.S.Brown | Apr 26, 2016 |
I didn't bother to finish this one. I'd enjoyed a previous book ([b:Saving Grace|130916|The Saving Graces A Novel|Patricia Gaffney|http://photo.goodreads.com/books/1171995451s/130916.jpg|126092]s) and thought I might like this one, but I couldn't get involved with the characters, especially the main character, Dash. She is a 40-ish photographer, wife of a history professor, whose mother has recently died and whose daughter is off to college. So of course she has a midlife crisis (but insists it isn't), and flees to the family's mountain cabin with a puppy. She appears to be finding surrogates for her mother and daughter, and possibly even her husband, but she still loves him even though he's occasionally annoying. I just didn't want to spend any more time with her. ( )
  auntieknickers | Apr 3, 2013 |
A SUPPLE, SMOOTH VOICE PERFORMANCE:
Decisions, decisions, decisions....life's full of them, isn't it? Sometimes we live to regret them; at other times we're thankful for powers that help us choose which is best.

Dash Bateman finds herself in a quandary, an unhappy one. Married for two decades to Andrew she now finds him bothersome. In fact, almost everything he does bothers her. Isn't it ridiculous that he needs a glass of warm milk at bedtime or that he forces her to go to faculty parties that he obviously doesn't enjoy?

Their daughter has recently gone to college, and she lost her mother a short while ago. Now, it seems that's all that's left for her is Andrew and she doesn't believe that's near enough. Dash is convinced there must be more in life for her than what she has, but where is it or who is it? She leaves, retreats to their summer cabin.

It comes as no surprise that recently Andrew hasn't found much joy in their relationship either. He's a college professor who likes quiet, and order in his life. He certainly didn't want the abandoned puppy they found on their doorstep! He thinks with Dash gone he can concentrate on his work and enjoy a peaceful existence.....for a change.

Gaffney tells her story in alternate points of view as we learn more about both Dash and Andrew and, as it evolves, they learn more about themselves and each other. How strong are love's ties? What brought them together 20 years ago?

It would seem almost logical that in an almost two character story an audio version would have a male and a female voice. This is not the case, and actress Laural Merlington does a splendid job of reflecting both personalities, their hopes and their dreams. Many will remember her for vivid narrations of Acts of Malice, Back On Blossom Street, Beautiful Dreamer, etc. Merlington is an experienced performer who always delivers her best in a voice both supple and smooth.

- Gail Cooke
  lonepalm | Dec 8, 2011 |
Patricia Gaffney's women's fiction books are a real challenge for me. I can't resist them, because she's such a fabulous writer, and because she's witty and wise and, well, I don't think it's exaggerating much to call her a goddess. On the other hand, it's women's fiction. In general, it's the one genre I loathe. At best, it's serious. At worst, it's whiny women who blame men for all their problems. It's a good thing I love Gaffney, because otherwise I'd hate her. Not only does she make me read women's fiction... she makes me love it.

Dash and Andrew have been married nearly 20 years. He's a stuffy history professor, she's a free-spirited photographer. Dash's mother died recently, and now their only child is going off to college. Then a puppy shows up on their doorstep. Dash wants to keep it, Andrew's allergic. Dash and the puppy out, going to their cottage.

Andrew: She's leaving me? Over a puppy?
Dash: How can he not see that it's not about the puppy?

I'd venture to say that most long-married couples will recognize the spirit behind their confusion--Pat has human nature down so well that these characters feel utterly real.

Like many couples in their situation, they've taken each other for granted, focused on their careers, their children, their aging parents, and when that outside focus is taken away, they find themselves married to someone they don't know, and maybe don't even like all that much. And the women (though this could apply to men, too, but in this case, it's Dash) discover that after years of devoting themselves to other people--husband, parents, children--there's nothing left of themselves.

How Dash and Andrew cope with the separation and learn and grow and find themselves and each other again is a story full of warmth and humor and pain and love and realism. It's truly a wonderful book. ( )
  Darla | Nov 19, 2008 |
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For James Holmes Gaffney.
1909--2006
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The puppy and I trip over each other coming through the door, just as the phone stops ringing.
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If God wanted us to be monogamous, he wouldn't have made us multiorgasmic.
Which is it, you're good at what you love or you love what you're good at?
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The puppy started it. The poor thing was cold and trembling, abandoned on their front doorstep. Dash, impulsive as always, decides on the spot that they should keep it. But her husband, Andrew, thinks it's the craziest thing he's ever heard. A fight over a scruffy little dog doesn't seem like much of a reason to walk out on your husband of twenty years - but the spat over the puppy is just the last of many straws. Dash is so tired of the faculty parties at Mason-Dixon College that Andrew insists they attend even though he won't mingle with his colleagues, tired of his constant fretting over illnesses he doesn't have, tired of the glass of warm milk he must have every night before bed. Why can't he see that with her mother gone and their daughter off at college, Dash needs something more? Now, living on her own for the first time in years, Dash can do whatever she wants...if only she could figure out what that is. But every time she starts making plans for the future, she finds herself thinking about the past - remembering the mother she's lost, her daughter's childhood, and the husband she isn't entirely sure she wants to leave behind...

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