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This Man and Music (1982)

par Anthony Burgess

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(Applause Books). Anthony Burgess was the author of over 50 books, including his best known novel, "A Clockwork Orange." But Burgess always emphasized music as the ruling passion in his creative life. Largely self-taught in music, Burgess composed his first symphony before he was twenty, many years before his first novel, and he was the composer of over 65 musical works. In these deeply insightful meditations, the renowned writer explores the meaning of music, the intention of the composer and the process of composition, and the seemingly elusive relationships between literature and music. Burgess shows how "the process of literary composition are revealed by the writers themselves" and then gathers evidence to understand the "inexplicable magic" of the details of the operation of music what is music's "intelligibility"? From Shakespeare to the lyric verse of Gerard Manley Hopkins, from the modernists T.S. Eliot and James Joyce to the modern lyricists Lorenz Hart and Stephen Sondheim, Burgess reveals how prose writers have struggled to tap the inherent musicality of their material. This treasured classic, at last back in print, provides a fascinating perspective on the mutually enriching relationship of these two creative arts by a man who mastered them both.… (plus d'informations)
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The transcription of the rhythms of poetry and prose into musical notations is the unifying subject of the book, and Mr. Burgess's ability to fit individual lines to notes, with or without pitches, is remarkable. His setting of Pope's heroic couplet on "the proper study of mankind," for example, would be difficult to improve upon in both rhythm and melodic style. So,too, the rewriting in note-values of the jazz rhythm of "Some men don't and some men do" ("Sweeney Agonistes") is an admirable illustration of the theory that "an honest musical setting of speech...fights against regularity of accent."...

I used to suspect Anthony Burgess of trying to employ more obscure words per line than any other writer and of experiencing his greatest satisfaction when introducing a term that absolutely nobody understands. Reading in this new book that he attributes Gerard Manley Hopkins's "choice of little-known words" to a "concern with exactness of expression," I felt that I had been uncharitable to Mr. Burgess-until I came across the sentence: "I never learned to sound a note...that was not, as they say, vaccicidal." Who, may I ask, says "vaccicidal"?
ajouté par SnootyBaronet | modifierThe New York Review of Books, Robert Craft
 

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Anthony Burgessauteur principaltoutes les éditionscalculé
Gengaro, Christine LeeDirecteur de publicationauteur secondairequelques éditionsconfirmé
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Foreword

Some day, I hope, there will be a really substantial book about the relationship between the art of words and the art of sound, though I doubt if I, whose approach to both arts has always been highly empirical, will ever be sufficiently qualified to write it.
I was born in Manchester in early 1917 while my father was serving in the Pay Corps.
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The Johnsonian attitude to music has persisted in the records of literature, and perhaps the limit of unmusicality was reached by the most musical of poets, Algernon Charles Swinburne. Swinburne was once treated to a performance of ‘Three Blind Mice’ on the piano and told that it was a song of sixteenth-century Rome. He professed to hear in it ‘the cruel beauty of the Borgias’.
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(Applause Books). Anthony Burgess was the author of over 50 books, including his best known novel, "A Clockwork Orange." But Burgess always emphasized music as the ruling passion in his creative life. Largely self-taught in music, Burgess composed his first symphony before he was twenty, many years before his first novel, and he was the composer of over 65 musical works. In these deeply insightful meditations, the renowned writer explores the meaning of music, the intention of the composer and the process of composition, and the seemingly elusive relationships between literature and music. Burgess shows how "the process of literary composition are revealed by the writers themselves" and then gathers evidence to understand the "inexplicable magic" of the details of the operation of music what is music's "intelligibility"? From Shakespeare to the lyric verse of Gerard Manley Hopkins, from the modernists T.S. Eliot and James Joyce to the modern lyricists Lorenz Hart and Stephen Sondheim, Burgess reveals how prose writers have struggled to tap the inherent musicality of their material. This treasured classic, at last back in print, provides a fascinating perspective on the mutually enriching relationship of these two creative arts by a man who mastered them both.

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Bibliothèque patrimoniale: Anthony Burgess

Anthony Burgess a une bibliothèque historique. Les bibliothèques historiques sont les bibliothèques personnelles de lecteurs connus, qu'ont entrées des utilisateurs de LibraryThing inscrits au groupe Bibliothèques historiques [en anglais].

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