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Lament for a Lost Lover par Philippa Carr
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Lament for a Lost Lover (original 1977; édition 1985)

par Philippa Carr, Victoria Holt

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Fiction. Romance. Historical Fiction. HTML:

As England is rocked by civil war, a daring young woman attempts to discover her true legacy??and  encounters betrayal and breathtaking love Under the sway of the puritanical Oliver Cromwell, England simmers with religious persecution and political unrest. Like their exiled king, Arabella Tolworthy and her parents have retreated to France but yearn for their native country. When Arabella is separated from her family, she makes her way alone in an increasingly dangerous world and meets two people who will change her life: an actress named Harriet Main and the dashing nobleman Edwin Eversleigh.    As the British king is restored to his rightful throne, Arabella's odyssey mirrors the strife and turbulence of her beloved homeland. As she tries to make peace with her past, she's confronted with an unexpected threat to her future??and a second chance at lasting love.  … (plus d'informations)

Membre:marieburton2004
Titre:Lament for a Lost Lover
Auteurs:Philippa Carr
Autres auteurs:Victoria Holt
Info:Fawcett (1985), Mass Market Paperback
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Lament for a Lost Lover par Philippa Carr (1977)

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5 sur 5
9501506223
  archivomorero | May 21, 2023 |
After the previous book in the series, which I thought was great and rated five stars, this follow-up left me disappointed.

“Lament for a Lost Lover” does not have the strong plot or appealing narrator compared to any of the previous Carr novels. Several themes and their outcome are obvious to the reader more or less immediately, yet the narrating heroine is clueless. When certain realisations hit her, she alone is shocked, as the reader saw it coming long ago.

Another aspect that doesn’t appeal to me is the amount of time dedicated to plays/theatrical performances. This is like fiction within fiction and it fails to engage me. I’ve read a few books in which the theatre takes up a significant place in the story and I’ve always found this tiresome.

There are also several instances where the heroine is recalling her dreams – dreams as in, “Last night I dreamt that …”, which I find irritating.

As always with this author there’s a notable amount of repetition throughout the tale. Sometimes she gets away with it in her books but not in a story that lacks depth like this one.

Whether writing as Carr, Plaidy, or Holt, this author is talented at building suspense but invariably resolves the final confrontation – or confrontations in general – much too soon and far too easily. She’s notorious for doing this as Victoria Holt and she goes further with the final “live or die” scene in this book. I won’t mention what the situation is in this review, but will state that instead of milking the heroine’s dire peril for all it’s worth, after pages and pages of build-up, she resolves the matter in a few lines, resulting in a huge anti-climax.

It’s not a bad book by any means, but it has a “going-through-the-motions” feel. Little advantage is taken from two of the most pivotal events in English history, namely the plague of 1665 and the following year’s Great Fire of London.

Carr/Plaidy/Holt was a very prolific writer and is a favourite of mine, but among the quality stories there are a number of mediocre efforts and the occasional dud. I feel that had she spent more time revising existing books rather than rushing on to create new ones she would've produced many more works worthy of four and five star ratings. Better to pen 70 wonderful novels than 100 ranging up and down the scale.

In short, “Lament for a Lost Lover” is a run-of-the-mill novel by an author capable of much greater things. ( )
  PhilSyphe | Sep 6, 2016 |
Read during Fall 2002

Apparently Phillippa Carr writes in defined historical periods, unlike Victoria Holt, who writes in a vaugely Victorian world. The Restoration is the setting for this one. I strongly object to the reformed rake love interest that she often uses and Carleton Eversleigh is the one here. The fact that Arabella seems to both hate and love him makes it only slightly more palatable. She is also immensely gullible, which makes it hard to feel much sympathy for her. However, the general sweeping historical melodrama works for the most part. The weaving in of historical events is well done and it does pick up speed as it goes. I guessed most of the plot twists but I also began to realize that it appealed to all those pre-teen novel writing ideas I had but, luckily, never put to paper. Perhaps why I keep going back to read them.
  amyem58 | Jul 14, 2014 |
won this book off of www.listia.com 9 days ago. cant wait to read it ( )
  KimSalyers | Oct 7, 2016 |
won this book off of www.listia.com 9 days ago. cant wait to read it ( )
  KimSalyers | Oct 2, 2016 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Carr, Philippaauteur principaltoutes les éditionsconfirmé
Czernicki, FriderikeTraducteurauteur secondairequelques éditionsconfirmé
Czernicki, Karl-Otto vonÜbersetzerauteur secondairequelques éditionsconfirmé
Eijsden, Cath vanTraducteurauteur secondairequelques éditionsconfirmé
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Fiction. Romance. Historical Fiction. HTML:

As England is rocked by civil war, a daring young woman attempts to discover her true legacy??and  encounters betrayal and breathtaking love Under the sway of the puritanical Oliver Cromwell, England simmers with religious persecution and political unrest. Like their exiled king, Arabella Tolworthy and her parents have retreated to France but yearn for their native country. When Arabella is separated from her family, she makes her way alone in an increasingly dangerous world and meets two people who will change her life: an actress named Harriet Main and the dashing nobleman Edwin Eversleigh.    As the British king is restored to his rightful throne, Arabella's odyssey mirrors the strife and turbulence of her beloved homeland. As she tries to make peace with her past, she's confronted with an unexpected threat to her future??and a second chance at lasting love.  

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