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This volume contains the best of Shaw's musical writing, including sections on Gl ck, Handel, Mozart, Beethoven, Rossini, Verdi, Berlioz, pieces on opera, musical analysis, oratorios, Gilbert and Sullivan, plus a long autobiographical preface, one of Shaw's most self-revealing works. The result is a book of unparalleled brilliance and grace by a writer who, according to W.H. Auden, "was probably the greatest music critic who ever lived." "For all music collections." - Library Journal… (plus d'informations)
Around four stars if you are not interested in opera. I'm not, yet consistently entertaining writing and trenchant criticism add a star, for anyone who enjoys those. Except: Around three stars if you are not interested in classical music. Except: Around two stars if you are interested in no music. Go away. The first fifth is criticism of music criticism. ( )
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This volume contains the best of Shaw's musical writing, including sections on Gl ck, Handel, Mozart, Beethoven, Rossini, Verdi, Berlioz, pieces on opera, musical analysis, oratorios, Gilbert and Sullivan, plus a long autobiographical preface, one of Shaw's most self-revealing works. The result is a book of unparalleled brilliance and grace by a writer who, according to W.H. Auden, "was probably the greatest music critic who ever lived." "For all music collections." - Library Journal
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(4.3)
2
Around three stars if you are not interested in classical music. Except:
Around two stars if you are interested in no music. Go away.
The first fifth is criticism of music criticism. (