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La mort au petit trot (1981)

par Dick Francis

Autres auteurs: Voir la section autres auteur(e)s.

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1,3963513,301 (3.91)60
Fiction. Literature. Mystery. HTML:

Well-plotted and full of atmospheric charm, Reflex demonstrates the fine style that earned Dick Francis the title of Grand Master of the Mystery Writers of America. This fast-paced story of a jockey's courageous murder investigation exposes the politics and corruption at the heart of the British racing world. Philip Nore has no greater ambition than to successfully complete the last years of his career as a jockey, even if it means bending the rules a bit. But when pushed, Philip discovers that there really are a few other things that matter to him. One is finding the truth about the death of a much hated track photographer. Reflex showcases the author's gift for creating heroes out of ordinary men. Simon Prebble's distinctive voice, deep and mildly accented, is perfect for Francis' work. His performance highlights the psychological drama and intrigue to deliver a positively exhilarating listening experience.

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Anglais (32)  Danois (2)  Français (1)  Toutes les langues (35)
Bon suspense ( )
  Danielec | Jan 13, 2016 |
One hesitates to criticize a Francis novel, but Reflex displays in a less extreme form a defect of its predecessor Whip Hand, in which three themes proved in the end to have nothing to do with each other. Francis usually observes Chekhov’s dictum that if there is a pistol hanging on the wall, sooner or later someone in the story must fire it, but in fact the sister search is irrelevant to the photography problem, and when she is found in unhappy circumstances the hero does nothing to rescue her. Although this outcome is supposed to change Philip Nore’s attitude to life (‘I had roots’) his final resolution (one can’t give the game away) is not altogether convincing.
ajouté par SnootyBaronet | modifierTimes Literary Supplement, Philip Larkin
 
''Reflex'' contains more interesting characterizations than most of Mr. Francis's books, particularly in Philip's poignant recollections of his shadowy butterfly mother, who used her charm to dump her small boy on one friend after another over the years. But there are limits to Mr. Francis's talent. His heroines are present simply to fill a few pages and sometimes to share a bed, and the characters who lie outside the racing world he knows so well are often drawn perfunctorily. Mr. Francis might reply that a writer of his kind of thriller cannot afford psychological intricacies, and very likely he would be right. In the end, action is the name of the Dick Francis game. In writing scenes of action, not all of them violent, and blending them into a mystery adventure, he is now a long way ahead of the rest of the field.
ajouté par SnootyBaronet | modifierNew York Times, Julian Symons
 

» Ajouter d'autres auteur(e)s (9 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Dick Francisauteur principaltoutes les éditionscalculé
Knol Ottenhof, C.Traducteurauteur secondairequelques éditionsconfirmé
Raivio, JyriTraducteurauteur secondairequelques éditionsconfirmé
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My thanks to the Photographers
Bernard Parkin and David Hastings
and especially RON MASSEY
who made me the puzzles.
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Winded and coughing, I lay on one elbow and spat out a mouthful of grass and mud.
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His talent had been stupendous. Seeing his pictures there together, one after the other, and not scattered in books and newspapers and magazines across a canvas of years, I was struck continually by the speed of his vision. He had caught life over and over and over again at the moment when a painter would have composed it: nothing left out, nothing disruptive let in. An absolute master.
I was rather deeply aware that I was never going to see the world in quite the same way again: that George’s piercing view of things would intrude when I least expected it and nudge me in the ribs. But George had had no compassion. The pictures were brilliant. Objective, exciting, imaginative and revealing; but none of them kind.
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Fiction. Literature. Mystery. HTML:

Well-plotted and full of atmospheric charm, Reflex demonstrates the fine style that earned Dick Francis the title of Grand Master of the Mystery Writers of America. This fast-paced story of a jockey's courageous murder investigation exposes the politics and corruption at the heart of the British racing world. Philip Nore has no greater ambition than to successfully complete the last years of his career as a jockey, even if it means bending the rules a bit. But when pushed, Philip discovers that there really are a few other things that matter to him. One is finding the truth about the death of a much hated track photographer. Reflex showcases the author's gift for creating heroes out of ordinary men. Simon Prebble's distinctive voice, deep and mildly accented, is perfect for Francis' work. His performance highlights the psychological drama and intrigue to deliver a positively exhilarating listening experience.

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