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Chargement... La mort au petit trot (1981)par Dick Francis
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One hesitates to criticize a Francis novel, but Reflex displays in a less extreme form a defect of its predecessor Whip Hand, in which three themes proved in the end to have nothing to do with each other. Francis usually observes Chekhov’s dictum that if there is a pistol hanging on the wall, sooner or later someone in the story must fire it, but in fact the sister search is irrelevant to the photography problem, and when she is found in unhappy circumstances the hero does nothing to rescue her. Although this outcome is supposed to change Philip Nore’s attitude to life (‘I had roots’) his final resolution (one can’t give the game away) is not altogether convincing. ''Reflex'' contains more interesting characterizations than most of Mr. Francis's books, particularly in Philip's poignant recollections of his shadowy butterfly mother, who used her charm to dump her small boy on one friend after another over the years. But there are limits to Mr. Francis's talent. His heroines are present simply to fill a few pages and sometimes to share a bed, and the characters who lie outside the racing world he knows so well are often drawn perfunctorily. Mr. Francis might reply that a writer of his kind of thriller cannot afford psychological intricacies, and very likely he would be right. In the end, action is the name of the Dick Francis game. In writing scenes of action, not all of them violent, and blending them into a mystery adventure, he is now a long way ahead of the rest of the field. Est contenu dansFait l'objet d'une adaptation dansEst en version abrégée dansPrix et récompensesDistinctions
Fiction.
Literature.
Mystery.
HTML: Well-plotted and full of atmospheric charm, Reflex demonstrates the fine style that earned Dick Francis the title of Grand Master of the Mystery Writers of America. This fast-paced story of a jockey's courageous murder investigation exposes the politics and corruption at the heart of the British racing world. Philip Nore has no greater ambition than to successfully complete the last years of his career as a jockey, even if it means bending the rules a bit. But when pushed, Philip discovers that there really are a few other things that matter to him. One is finding the truth about the death of a much hated track photographer. Reflex showcases the author's gift for creating heroes out of ordinary men. Simon Prebble's distinctive voice, deep and mildly accented, is perfect for Francis' work. His performance highlights the psychological drama and intrigue to deliver a positively exhilarating listening experience. .Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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