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Chargement... Don't Look Now (Oberon Modern Plays)par Daphne du Maurier, Nell Leyshon (Adapted by)
Aucun Actuellement, il n'y a pas de discussions au sujet de ce livre.  TheBecks | Apr 1, 2013 |  aucune critique | ajouter une critique
Est une adaptation de
Following the death of their young daughter, John and Laura visit Venice to try and escape their grief. But when the couple meet two aged sisters, one of whom claims to have psychic visions of the dead girl, strange things start to happen. Filmed in 1973 with Julie Christie and Donald Sutherland, Daphne du Maurier's classic thriller starts as a moving examination of grief but gradually becomes a chilling tale with a dark and terrifying climax. This adaptation of Don't Look Now premiered in 2007 at the Sheffield Lyceum with a transfer to the Lyric Hammersmith. Aucune description trouvée dans une bibliothèque |
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 Google Books — Chargement...GenresClassification décimale de Melvil (CDD)822.92Literature English & Old English literatures English drama 1900- 2000-Classification de la Bibliothèque du CongrèsÉvaluationMoyenne: (4)
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This story was rather eerie, and the music that accompanied the reading heightened this effect quite a bit. Often, when I'm listening to audiobooks, I think of the story in terms of format and try to compare. I know that a reader can add or detract from the story, that sounds or music (which I'm not usually a fan of) can do the same, and that the experience of reading and listening can be quite different from each other. This audio was fantastic, and the music was used tastefully and to great effect. I think that one twist's significance in the story might have actually been... maybe not missed, but perhaps overlooked until viewed in hindsight, but the way the audio was done, I not only understood immediately, but was also startled and creeped out. Awesome. :D
This story had a very gothic horror feel, and was full of twists and turns and hints and the like, and it seems that nothing is quite what it seems. I tried guessing what the actual twist was going to be, and failed miserably. None of my twist-guesses made sense unless there was either one overused explanation, or unless there was a really huge explanation that could be plausible but unlikely. The one in the book was better by far. Probably why I read books and don't write them. You're welcome, world.
I thought that there was one detail which was introduced a bit late in the story that wasn't really necessary, but worked toward the ending. The ending would still have worked without this, but I guess for those people who might have been a bit baffled, it served as a kind of "There's your answer" bit. Me personally, I think that had it been left out, it would have been even creepier and with even more "What the fuck?!" thrown in. But that's just preference.
All in all, I really liked this one, probably the most of any of du Maurier's stories I've read so far. The tally is now up to a whopping 3. I'm on a roll!
Horror October 2011: #14 (