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Chargement... Le fond des forêtspar David Mitchell
  
Actuellement, il n'y a pas de discussions au sujet de ce livre.  Cabask | Mar 27, 2024 |   Jason Taylor is Will McKenzie, Adrian Mole and Benjamin Trotter with spokey dokeys on. I just loved everything about Black Swan Green – the characters, the content, the style, the setting, the local dialect, the humour and the nostalgia. The characters spring to life in a single sentence. “Alex is seventeen but he’s got bubonic zits and his body’s three sizes too large for him”. “The man’s lips were gnarled and his sooty hair had a streak of white like combed-in bird crap”. The cultural references to the early Eighties are spot on and I was instantly transported back to 1982 relishing Findus Crispy Pancakes and Butterscotch Angel Delight for tea and finding a furry stick of Wrigley’s juicy fruit chewing gum in my duffle coat pocket. Adolescent angst - the horrors of school discos, wanting to be one of cool kids but knowing you’ll always be middle-ranking at best, trying to stay well below the radar and finding your parents cringingly embarrassing - was made all too real. The reported speech had the local Worcestershire accent down to a T and the lyrical language reflecting Jason’s poetic bent was simply heavenly. “The big field was full of wary ewes and spanking-new lambs. The lambs tiggered up close, bleeping like those crap Fiat Noddy cars, idiotically pleased to see me.” I read most of this book with a smile on my face and laughed out loud in places. But it’s not all ha-ha-ha. There’s serious stuff in here too. Coping with and trying to overcome a speech defect, being bullied, marriage break-ups, dementia, dysfunctional families, the personal consequences of the Falklands War and life-changing motorbike accidents. A little bit of everything. This was my first David Mitchell novel and I hit pay dirt. I can’t recommend Black Swan Green highly enough. (  ) geraldine_croft | Mar 21, 2024 | There's only a slight hint of the surreal that permeates some of Mitchell's other books, but that's ok - it's a different type of story. The writing itself is beautiful - sometimes lyrical - and the imminent monologue and dialogues are spot-on for tone. Highly recommend! ( ) decaturmamaof2 | Nov 22, 2023 | This isn't to say the book is *bad* - not at all. His writing is excellent as ever, it made me tear up in places and bits were frighteningly realistic. It's just somewhat frustratingly inconsistent, marring the experience somewhat. I'd recommend reading his other books first. On a final note, a few times he does "something happened actually it didn't." It feels like something out of Goosebumps and is just straight up bizarre. later note: i reviewed this when i was really ill and i kind of dunno if i'd agree with what i wrote much. thinking back on it a month later all I can remember is how much it hit home. Just thinking about it makes me kind of sad. I think I was put off by the sadness. If you've liked David Mitchell I'd read this. (  ) tombomp | Oct 31, 2023 | ) lschiff | Sep 24, 2023 |
Fleshing out such elementary wisdom is what coming-of-age novels are about. No doubt, that label will make some grimace and others wax nostalgic, but this novel is OK with caressing its traditional parameters. It settles for the sparks of verisimilitude instead of the fireworks of reinvention, while transmitting the uncomfortably comfortable sensation of smacking into the participants in one’s young life.  Mitchell is so good at inhabiting other voices that halfway through his ambitious "Cloud Atlas" (2004) — the characters include a 19th-century traveler in the Chatham Islands and a genetically engineered slave in a futuristic Korean dystopia — I began to suspect that Mitchell himself might actually be a noncorpum, a spirit who has commandeered the body of a young Englishman to type out its books. Anxious, perhaps, about being mistaken for a supernatural being, Mitchell set himself a different sort of challenge in his brilliant new novel, "Black Swan Green." The book, set almost exclusively in a village of that name in quiet, provincial Worcestershire, follows 13-year-old Jason Taylor through 13 months, each folded into a storylike chapter. . . . In Jason, Mitchell creates an evocative yet authentically adolescent voice, an achievement even more impressive than the ventriloquism of his earlier books. Prix et récompensesDistinctionsListes notables
Fiction.
Literature.
HTML:By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys games on a frozen lake; of nightcreeping through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigr who is both more and less than she appears; of Jasons search to replace his dead grandfathers irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatchers recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchells subtlest and most effective achievement to date. Praise for Black Swan Green [David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.The Boston Globe [David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.Time. Aucune description trouvée dans une bibliothèque |
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 Google Books — Chargement...GenresClassification décimale de Melvil (CDD)823.92Literature English & Old English literatures English fiction Modern Period 2000-Classification de la Bibliothèque du CongrèsÉvaluationMoyenne: (3.98)
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Me costó un poco cogerle el tono, ya que cada capitulo es como una mirada a su vida, casi como relatos individuales (mas normal en el estilo de Mitchell) que como capítulos que forman una historia larga. Es una novela muy costumbrista pero que en muchos momentos me ha retraído a recuerdos de mi propia infancia.
Me ha gustado más de lo que esperaba. (