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Phineas Redux

par Anthony Trollope

Autres auteurs: Voir la section autres auteur(e)s.

Séries: The Palliser Novels (4)

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1,2022016,319 (4.06)2 / 140
The fourth novel in Trollope's Palliser series, Phineas Redux stands on its own as a compelling work of political intrigue, personal crisis, and romantic jealousy. Phineas Finn lives quietly in Dublin, resigned to the fact that his political career is over and coming to terms with the death of his wife. He receives an unexpected invitation to return to Parliament, and jumps at the chance, whereupon old romances and rivalries are revived. When his adversary, Mr. Bonteen, is murdered, suspicion immediately falls on Finn, and his former friends and lovers seem only to add to his shame.… (plus d'informations)
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Phineas Finn is back. His wife has died and his old pal Barrington Earle has convinced him to return to England and run for Parliament He loses the election by a narrow margin to Mr. Bonteen, but appeals based on evidence that Bonteen has purchased votes. Phineas wins his appeal but makes an enemy of Mr. Bonteen. When Mr. Bonteen is murdered, Phineas is, or course suspect #1. The other suspect is the Reverend Mr Emilius, husband of Lady Eustace. At Lady Eustace's urging, Mr. Bonteen had traveled to Prague and found evidence that Emilius was still married to another woman when he wedded Lady Eustace, thus annulling the marriage and safeguarding her wealth and causing Emilius to lose his meal ticket.

Unfortunately for Phineas the bulk of the circumstantial evidence is against him and he is arrested for murder. His friends rally around to his defense and most critically, Madame Max Goesler travels to Prague and finds the critical evidence that will save Phineas from the gallows.

This is the fourth novel in Trollope’s Palliser series, and this one has a lot more politics entwined in the plot. They are not only an excellent picture of Mid-Victorian life, but also an excellent way to learn about English history. I recommend the Oxford Critical editions of these books, where all the political references are explained. ( )
  etxgardener | Aug 16, 2022 |
Quite confident and informative in tone, I found this one to be one of the most enjoyable so far. Far from the satisfactory train wreck that was Lizzie Eustace, this novel was cleverly set in a new realm of the Trollope court. It was delightful to really get to know previous acquaintances (Madame Max) and meet/revisit old friends and see how time had been allowed to change them. I think that Lady Laura was, perhaps, the anomaly. She had not allowed time to change her and, in doing so, suffered. ( )
  OutOfTheBestBooks | Sep 24, 2021 |
The fourth novel in Anthony Trollope's Palliser series returns the reader to the lucky Irishman Phineas Finn. Newly widowed, he decides to plunge back into politics by accepting an offer to run for a seat in the House of Commons. Yet Finn's luck soon deserts him, as his re entry is not rewarded with office and the income he needs to survive. Moreover, he suffers from the attacks of two new enemies --and he soon finds himself on trial for the most heinous of crimes.

One of Trollope's great strengths as a writer is his ability to build a world consisting of a diverse array of characters, and that strength is on display here. Nearly the full cast from his previous novels in the series makes an appearance, even if a couple of them feel shoehorned in. Yet Trollope's effort to derive some drama from putting his central character on trial doesn't work as well as it should. Perhaps aware of his limitations, he avoids any real mystery as to the perpetrator of the crime for which his central character stands trial, and it's resolution seems more melodramatic than earned. Still, for all its faults and the padding of the last hundred pages it is still an enjoyable novel, one that offers more of the continuing events of Trollope's cast of political adventurers and social butterflies. ( )
  MacDad | Mar 27, 2020 |
I really didn’t mean to read Phineas Redux quite yet, I intended to give some other classic authors some time, after spending so much time with Trollope this year, but my fondness for Phineas and my curiosity to know what was happening in an a world full of so many characters I have come to love …..

I just had to know!

The story begins a few years after ‘Phineas Finn’ and a few months after ‘The Eustace Diamonds’. I’ve seen suggestions that you could read the two Phineas novels back to back, but if you did that there are things that you might not appreciate in this book, because it picks up a few threads and a few characters from ‘The Eustace Diamonds’.

Phineas Finn is living in Dublin, alone, since his wife has died, and though he has a good job and a healthy income he is bored. He misses parliament, he misses his London life, and so, when he sees a chance to return, he decides to risk everything , hoping that he will be able to pick up the threads of his old life.

He’s still the same Phineas, as charming, as straightforward as ever, but time and experience has made his just a little jaded.

He finds that some things have changed and some things are still the same.

Madam Max had turned down a proposal from the Duke of Omnium; she had hoped to win Phineas, not knowing that he had already decided that his future lay with Mary Flood-Jones. She remained a good friend to the Duke, whose health was failing, and whose death would bring her a bequest that she was not prepared to accept. And she proved to be the best of friends to Phineas.

That death meant that Plantagenet Palliser was the new Duke of Omnium. Lady Glencora was in her element; I love that was so passionate about her causes, and her friendship with Madame Max is a delight. Her husband, on the other hand, was concerned that he would be ineligible to be chancellor of the exchequer again, and that he may not be able to see his work to reform the currency through to the end.

Lord Chilton and Violet Effingham had married and were happily settled. They had house-guests, and that set off a subplot – a love triangle that had echoes of one from an earlier book and yet was quite different. Trollope does see to have lots of variants on the love triangle, and I have to say that he does them very well. It was a little strange, moving from characters I knew so well to brand new characters, but I understood why they were there. One of the reasons was to keep the Chilterns in the story – as he still refused to have anything to do with politics – I loved that Lord Chiltern had grown from an angry young man into a comfortable curmudgeon, that Violet had found her niche as a wife and mother, and that the two of the understood each other so well.

Lady Laura Kennedy had fled to the continent, to escape her cold, unsympathetic husband. Her situation was dreadful, because, if she returned to England her husband could compel her return to him, as she had no grounds for divorce. The shift in her relationship with Phineas was interesting – in the first book he wanted more of her than she would give, and in this book that reversed. The arc of her story was inevitable and it was heart-breaking;

Of course Phineas became part of all of their lives again, and he regained his seat in parliament.

But it wasn’t all plain sailing. Robert Kennedy objected to Phineas visiting his wife, and it became horrible clear that he was beginning to lose his reason. And Mr Bonteen, his greatest political foe, and maybe the next chancellor of the exchequer, is determined that Phineas will be kept from high office.

The consequence of all of this is that Phineas must fight, first against a terrible slander, and then against a charge of murder.

There’s a great deal going on, and inevitably there are highs and lows. There’s quite a bit of politics to wade through at the beginning of the book, there are quiet spells between that great dramas, and it has to be said that Trollope is not a great crime writer.

But the two great dramas, and the human dramas that spin around them, are wonderful.

It works so well because – I think – Trollope was what my mother would call a people person.

He understood his characters, how their relationships worked, how life and events would change them.

He understood how their world worked; he may or may not of liked that, but he presented it, clear-sightedly, as it was.

He cared and he made me care; it’s as simple as that. ( )
  BeyondEdenRock | Oct 29, 2018 |
I didn't like Phineas Finn years ago; I don't like the redux now. Two bummers in dozen I've read of Trollope is not bad. Immediately started the next in the Palliser series, The Prime Minister, and love it. ( )
  ReadMeAnother | Aug 10, 2018 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Anthony Trollopeauteur principaltoutes les éditionscalculé
Botkin, BillArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Bowen, JohnDirecteur de publicationauteur secondairequelques éditionsconfirmé
Chapman, R. W.Introductionauteur secondairequelques éditionsconfirmé
Haydon, Benjamin RobertArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Hecimovich, Gregg A.Introductionauteur secondairequelques éditionsconfirmé
Hecimovich, Gregg A.Directeur de publicationauteur secondairequelques éditionsconfirmé
Holl, FrankIllustrateurauteur secondairequelques éditionsconfirmé
Huskinson, T. L. B.Illustrateurauteur secondairequelques éditionsconfirmé
Skilton, DavidDirecteur de publicationauteur secondairequelques éditionsconfirmé
Trollope, JoannaIntroductionauteur secondairequelques éditionsconfirmé
Vance, SimonNarrateurauteur secondairequelques éditionsconfirmé
West, TimothyNarrateurauteur secondairequelques éditionsconfirmé
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The fourth novel in Trollope's Palliser series, Phineas Redux stands on its own as a compelling work of political intrigue, personal crisis, and romantic jealousy. Phineas Finn lives quietly in Dublin, resigned to the fact that his political career is over and coming to terms with the death of his wife. He receives an unexpected invitation to return to Parliament, and jumps at the chance, whereupon old romances and rivalries are revived. When his adversary, Mr. Bonteen, is murdered, suspicion immediately falls on Finn, and his former friends and lovers seem only to add to his shame.

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