Cliquer sur une vignette pour aller sur Google Books.
Chargement... L'oeuvre ouverte (1962)par Umberto Eco
Aucun Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. I can measure the time that I've been a fan of Umberto Eco in decades. I believe I own most all of his books. But I'd not yet read The Open Work, perhaps because I thought I knew what it was about--that the meaning of a text is in large part in the mind of the reader. "Every work of art, even though it is produced by following an explicit or implicit poetics of necessity, is effectively open to a virtually unlimited range of possible readings, each of which causes the work to acquire new vitality in terms of one particular taste, or perspective, or personal performance (21; italics as in text). Later, in both Interpretation and overinterpretation and The Limits of Interpretation, Eco realized that there are limits to that unlimited range of possible meanings. Stanley Fish can be said to have struck a definitive, logical middle ground with his Is There A Text In This Class? The Authority of Interpretive Communities. This is not easy reading, but highly recommended for those interested in the development of 20th century literary criticism. aucune critique | ajouter une critique
Appartient à la série éditorialeTascabili [Bompiani] (21)
La 4e de couverture indique : ℗± Depuis le de but du sie cle sont apparues des oeuvres qui s'offrent a une pluralite d'organisations : compositions musicales dont les parties sont a enchai ner selon le choix de l'interpre te, sculptures mobiles, tableaux informels, jeux se mantiques dont le Finnegans Wake de James Joyce a fourni le mode le. Ce nouveau type d'oeuvre, Umberto Eco le de crit et l'enracine en le confrontant a l'ensemble de la culture contemporaine, aux sciences qui accordent une importance toujours plus grande au hasard. Il le fonde aussi, en se demandant a partir de la the orie de l'information jusqu'a quel point une oeuvre peut s'ouvrir sans cesser d'e tre communication. ℗ Aucune description trouvée dans une bibliothèque
|
Discussion en coursAucunCouvertures populaires
Google Books — Chargement... GenresClassification décimale de Melvil (CDD)111.85Philosophy and Psychology Metaphysics Ontology Properties of being AestheticsClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
Est-ce vous ?Devenez un(e) auteur LibraryThing. |
This book was a challenge to read, but worth it for the insights. Enjoyed his discussion of kitsch, and I found interesting his view that the production of a work is part of the work of art, as is the varied reception that the work receives after it is circulated (exhibited, published, etc.). Glad I stuck with it. ( )