

Chargement... Maus : un survivant raconte. 2, Et c'est là que mes ennuis ont commencépar Art Spiegelman
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Jewish Books (32) » 6 plus Actuellement, il n'y a pas de discussions au sujet de ce livre. As of 2022 a "banned" book. A very important contribution to holicaust surviver's literature. The comic format appealed to me then for sure. The story itself is gripping. Read both 1 and 2. ( ![]() La mejor historieta de la historia! No puede ser mejor It's hard to understand how horrible the holocaust was. The atrocities that were carried out by Nazi Germany are nearly indescribable because they were so inhuman. I don't think I will get that image of the mice burning alive, screaming in pain out of my head. Goodreads Review: Acclaimed as a quiet triumph and a brutally moving work of art, the first volume of Art Spieglman's Maus introduced readers to Vladek Spiegleman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiararity with the events described, approaching, as it does, the unspeakable through the diminutive. This second volume, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Maus ties together two powerful stories: Vladek's harrowing tale of survival against all odds, delineating the paradox of daily life in the death camps, and the author's account of his tortured relationship with his aging father. At every level this is the ultimate survivor's tale - and that too of the children who somehow survive even the survivors. Such a simple, yet effective way of explaining the holocaust, you could say this is a more digestible way of telling a brutal and horrific story, and not only does it tell you about the event itself, it tells you about the life of someone who survived it after it was over, his experiences and how hard life was even after it ended. The art is great, easily understandable drawings, nothing too complex, but that just adds to the charm really. Overall an interesting(and quick) read, definetly worth it.
Perhaps no Holocaust narrative will ever contain the whole experience. But Art Spiegelman has found an original and authentic form to draw us closer to its bleak heart. By writing and drawing simply, directly and earnestly, Mr. Spiegelman is able to lend his father's journey into hell and back an immediacy and poignance... In recounting the tales of both the father and the son in "Maus" and now in "Maus II," Mr. Spiegelman has stretched the boundaries of the comic book form and in doing so has created one of the most powerful and original memoirs to come along in recent years. Est contenu dans
Le père de l'auteur, Vladek, juif polonais, rescapé d'Auschwitz, raconte sa vie de 1930 à 1944, date de sa déportation. Ce récit est rapporté sous la forme d'une bande dessinée dont les personnages ont une tête d'animal : les juifs sont des souris, les nazis des chats, les Polonais des porcs et les Américains des chiens.--[Memento] Aucune description trouvée dans une bibliothèque |
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![]() GenresClassification décimale de Melvil (CDD)940.53180922 — History and Geography Europe Europe 1918- World War II Social, political, economic history; Holocaust Holocaust History, geographic treatment, biography Holocaust victims biographies and autobiographiesClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:![]()
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