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Chargement... Notes from Deep Time: A Journey Through Our Past and Future Worlds (édition 2022)par Helen Gordon (Auteur)
Information sur l'oeuvreNotes from Deep Time: A Journey Through Our Past and Future Worlds par Helen Gordon
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Not a scientific geology book, more a meditation on, and history of geology. It includes cameos of the better-known figures in geology - Hutton, Anning, Cuvier - as well as discussions with modern-day scientists about their specialities and visits to specific geological features. It's a light and entertaining read. aucune critique | ajouter une critique
The Earth writes its own story in the landscape. A novelist sets out on a journey to piece it together. Aucune description trouvée dans une bibliothèque |
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Gordon also includes anecdotes, potted histories and personal travelogue to vary the pace and engage the reader. Some of these stories I have read before, but they are well told here.
The three penultimate chapters consider aspects of the Anthropocene, with that discussing the issue of nuclear waste being fascinating, enlightening, and it starts with a poem which encapsulates the issue:
This place is not a place of honor.
No highly esteemed deed is commemorated here.
Nothing valued is here.
What is here was dangerous and repulsive to us.
This message is a warning about danger.
The final chapter is a beautiful conclusion blending Gordon’s personal reminiscence with geological travelogue:
There’s a pleasure in knowing the names of things. It’s not about a need to categorise the world, sectioning it into little boxes. And clearly you don’t have to know the names of rocks – or trees or plants or birds – in order to enjoy a landscape. But if you do have this information, something changes about the way you exist in that space. A named landscape thickens. It’s to do with history and context but also, I think, with the quality of attention. To assign something its name, you need to take the time to pick out identifying features. You look for longer. And the more you know, the more things stop being a backdrop – blurred, indistinguishable, hurried over – and become somehow more present in the view, more insistently themselves, the way a familiar face stands out in a crowd. ( )