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Can't Slow Down: How 1984 Became Pop's Blockbuster Year

par Michaelangelo Matos

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384649,847 (3.36)1
"520 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hiphop, indie rock, and club scenes Everybody knows the hits of 1984-pop music's greatest year. From "Thriller" to "Purple Rain," "Girls Just Want to Have Fun" to "Like a Virgin," "Hello" to "Against All Odds," "Sister Christian" to "Love Is a Battlefield," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," they continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves-until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid trip to a thrilling, turbulent time when pop was remaking itself, and the culture at large, one hit at a time. Let's go crazy!… (plus d'informations)
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The year pop music became a genre, maybe. Tedious mishmash of biographies. ( )
  Paul_S | Nov 27, 2021 |
Being also "from the 80s," Can't Slow Down was a walk down memory lane for me in many ways. It was interesting looking back and reading about details and context that we, in that time of having limited access to media (teen magazines, Much Music and the like for me in Canada), didn't have at the time. I felt, given the book was about 1984, that more coverage could have been given to the big 80s artists, rather than those late 70s and early 80s bands. However I can also see the rationale in documenting the events and artists who culminated in 1984. The book was organized by chapters on venues, rather than chronologically, so it jumped around more than I would have liked. Overall, though, it was an interesting read. ( )
  mel_t | Jul 21, 2021 |
I read this book as an electronic advance reading copy provided by Edelweiss, and I have submitted my comments to the publisher via that web site.

This book is arranged chronologically to document, via previously published magazine articles and books, the enormous variety of pop music that was created in 1984. It was a very good year for music, and the author conveys the quality and innovation of the various genres, albeit in a rather poor writing style. Several chapters feel disjointed, with various unrelated trivia jumbled together. There are also some truly odd phrasings, such as a description of Sade's song as "the onomatopoeic 'Smooth Operator'." Recommended only for readers with an interest in mid 1980s music.

On a personal note, I appreciated learning new facts about a time that I remember fondly (Bono originally planned to write "Pride" about Reagan! Henry Rollins was the ghostwriter for David Lee Roth's memoir! John Taylor had politically conservative leanings!). ( )
  librarianarpita | Jun 6, 2021 |
l
  kenf | Dec 25, 2020 |
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"520 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hiphop, indie rock, and club scenes Everybody knows the hits of 1984-pop music's greatest year. From "Thriller" to "Purple Rain," "Girls Just Want to Have Fun" to "Like a Virgin," "Hello" to "Against All Odds," "Sister Christian" to "Love Is a Battlefield," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," they continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves-until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid trip to a thrilling, turbulent time when pop was remaking itself, and the culture at large, one hit at a time. Let's go crazy!

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