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Double or Nothing

par Dennis Foon

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Kip is a typical teenager, trying to catch the Buzz. It is not drugs or alcohol that are going to get him there, but the pure adrenaline rush that hits when you are playing for high stakes: the risks, the thrill - throw in some money and the fun really begins. Double or Nothing follows Kip's ride as he gets more and more involved in high-stakes gambling. Although he is a good kid, does well in school and works at his uncle's restaurant to save for college, his rush comes from betting. What begins as ten-dollar wagers with his buddy quickly escalates. Kip constantly makes bets with himself - what wine will his next customer order? Will it be a glass or a bottle? He has the attitude, knows the odds and has done his research. The thrill comes only when money is laid down. To increase the thrill just raise the stakes. If smell is the strongest sense, imagine the smell of victory, the smell of money. Who could resist? When Kip meets the enticing and wonderful Joey, things couldn't be better. She is unlike any girl he has known. They begin hanging out and then Kip meets Joey's father, King Hewitt, Master Illusionist. Nothing could be cooler. A magician plays the margins like no other. Unfortunately, King turns out to be a compulsive gambler, and takes his young charge to places he has never been before: the races to bet on horses and casinos to play the slots. After winning their first big race on a tip, Kip thinks King is a genius. Despite the spectacle of King losing fifty bucks in less than four minutes on the slots, Kip only becomes more hooked. Can he really feel the energy emanating from the machine? Kip starts skipping school, missing work, diving into his college fund. The buzz is still increasing, but so are his debts. He knows he needs just one more big win to get it all back. Then King hits a losing streak and disappears. Joey's home is crashing down around her and the repo men are turning up. Can Kip keep lying to her and his mom? Can he beat the odds and turn things around before he hits bottom?… (plus d'informations)
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Should be known as “How to gamble your life away and break your girlfriend’s heart.” Kip doesn’t do drugs because he gets his highs from gambling. At first it’s just with his mates but when Kip’s girlfriend Joey introduces him to her father (a stage magician) suddenly the stakes become much higher. Kip doesn’t listen to J’s warnings about her Dad and so, he’s taken for a ride – one that could cost him his college savings, his job, his friends, Joey and even his life!p.1 “Some people…” to p.5 “offer”.Kip & Bongo bet when Mr Cheese belches in class.
  nicsreads | Mar 25, 2007 |
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Once upon a time two or three weeks ago, a rather stubborn and determined middle-aged man decided to record for posterity, exactly as it happened, word by word and step by step, the story of another man for indeed what is great in man is that he is a bridge and not a goal, a somewhat paranoiac fellow unmarried, unattached, and quite irresponsible, who had decided to lock himself in a room a furnished room with a private bath, cooking facilities, a bed, a table, and at least one chair, in New York City, for a year 365 days to be precise, to write the story of another person—a shy young man about of 19 years old—who, after the war the Second World War, had come to America the land of opportunities from France under the sponsorship of his uncle—a journalist, fluent in five languages—who himself had come to America from Europe Poland it seems, though this was not clearly established sometime during the war after a series of rather gruesome adventures, and who, at the end of the war, wrote to the father his cousin by marriage of the young man whom he considered as a nephew, curious to know if he the father and his family had survived the German occupation, and indeed was deeply saddened to learn, in a letter from the young man—a long and touching letter written in English, not by the young man, however, who did not know a damn word of English, but by a good friend of his who had studied English in school—that his parents both his father and mother and his two sisters one older and the other younger than he had been deported they were Jewish to a German concentration camp Auschwitz probably and never returned, no doubt having been exterminated deliberately X * X * X * X, and that, therefore, the young man who was now an orphan, a displaced person, who, during the war, had managed to escape deportation by working very hard on a farm in Southern France, would be happy and grateful to be given the opportunity to come to America that great country he had heard so much about and yet knew so little about to start a new life, possibly go to school, learn a trade, and become a good, loyal citizen.
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Kip is a typical teenager, trying to catch the Buzz. It is not drugs or alcohol that are going to get him there, but the pure adrenaline rush that hits when you are playing for high stakes: the risks, the thrill - throw in some money and the fun really begins. Double or Nothing follows Kip's ride as he gets more and more involved in high-stakes gambling. Although he is a good kid, does well in school and works at his uncle's restaurant to save for college, his rush comes from betting. What begins as ten-dollar wagers with his buddy quickly escalates. Kip constantly makes bets with himself - what wine will his next customer order? Will it be a glass or a bottle? He has the attitude, knows the odds and has done his research. The thrill comes only when money is laid down. To increase the thrill just raise the stakes. If smell is the strongest sense, imagine the smell of victory, the smell of money. Who could resist? When Kip meets the enticing and wonderful Joey, things couldn't be better. She is unlike any girl he has known. They begin hanging out and then Kip meets Joey's father, King Hewitt, Master Illusionist. Nothing could be cooler. A magician plays the margins like no other. Unfortunately, King turns out to be a compulsive gambler, and takes his young charge to places he has never been before: the races to bet on horses and casinos to play the slots. After winning their first big race on a tip, Kip thinks King is a genius. Despite the spectacle of King losing fifty bucks in less than four minutes on the slots, Kip only becomes more hooked. Can he really feel the energy emanating from the machine? Kip starts skipping school, missing work, diving into his college fund. The buzz is still increasing, but so are his debts. He knows he needs just one more big win to get it all back. Then King hits a losing streak and disappears. Joey's home is crashing down around her and the repo men are turning up. Can Kip keep lying to her and his mom? Can he beat the odds and turn things around before he hits bottom?

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