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Bunte Steine: Erzählungen par Adalbert…
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Bunte Steine: Erzählungen (original 1853; édition 2005)

par Adalbert Stifter, Adalbert Stifter (Auteur)

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2002136,162 (3.43)9
"The first complete English translation of the nineteenth-century Austrian innovator's evocative, elemental cycle of novellas. For Kafka he was my fat brother ; Thomas Mann called him one of the most peculiar, enigmatic, secretly audacious and strangely gripping storytellers in world literature. Often misunderstood as an idyllic poet of beetles and buttercups, the 19th-century Austrian writer Adalbert Stifter has been rediscovered in recent years as a radical experimenter with narrative and a forerunner of nature writing's darker currents. One of his best-known and most accessible works, the novella cycle Motley Stones now appears in its first complete English translation, a rendition that respects the bracing strangeness of the original. In six thematically linked novellas, including the beloved classic Rock Crystal, human dramas play out amid the natural cycles of the Alps or the urban rhythms of Vienna--environments so keenly observed that they emerge as the tales' most indomitable protagonists. Stifter's human characters are equally haunting--children braving perils, eccentrics and loners harboring enigmatic torments. We seek to glimpse the gentle law that guides the human race, Stifter famously wrote. What he glimpsed, more often than not, was the abyss that lies behind the idyll. The tension between his humane sensitivity and his dark visions is what lends his writing its heartbreaking power."--Provided by publisher.… (plus d'informations)
Membre:Leseratte2
Titre:Bunte Steine: Erzählungen
Auteurs:Adalbert Stifter
Autres auteurs:Adalbert Stifter (Auteur)
Info:Goldmann (2005), Edition: N.-A., Broschiert, 304 pages
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Mots-clés:Austrian, German, 19th century

Information sur l'oeuvre

Roches multicolores par Adalbert Stifter (Author) (1853)

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» Voir aussi les 9 mentions

2 sur 2
I finished this book yesterday and am still wrapping my head around this. On the surface, the books are extremely simple, and some may call them simplistic. The stories have no drama in them. They flow, from the beginning to the end. The stories are about simple folk, living in villages in Germany.

Yet, the stories are captivating, and the descriptions of nature are stunningly beautiful. The stories possess a gentle rhythm, and you must allow yourself to flow with the gentle tide.

Isabel Fargo Cole's translation is, in my view, magnificent. This is a beautiful book and must be on every storyteller's and story lover's bookshelf.

Read one story a day, no more. Then you will savor the beauty of these tales. ( )
  RajivC | Nov 7, 2021 |
German Classic Short Sories
  Budzul | May 31, 2008 |
2 sur 2
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"The first complete English translation of the nineteenth-century Austrian innovator's evocative, elemental cycle of novellas. For Kafka he was my fat brother ; Thomas Mann called him one of the most peculiar, enigmatic, secretly audacious and strangely gripping storytellers in world literature. Often misunderstood as an idyllic poet of beetles and buttercups, the 19th-century Austrian writer Adalbert Stifter has been rediscovered in recent years as a radical experimenter with narrative and a forerunner of nature writing's darker currents. One of his best-known and most accessible works, the novella cycle Motley Stones now appears in its first complete English translation, a rendition that respects the bracing strangeness of the original. In six thematically linked novellas, including the beloved classic Rock Crystal, human dramas play out amid the natural cycles of the Alps or the urban rhythms of Vienna--environments so keenly observed that they emerge as the tales' most indomitable protagonists. Stifter's human characters are equally haunting--children braving perils, eccentrics and loners harboring enigmatic torments. We seek to glimpse the gentle law that guides the human race, Stifter famously wrote. What he glimpsed, more often than not, was the abyss that lies behind the idyll. The tension between his humane sensitivity and his dark visions is what lends his writing its heartbreaking power."--Provided by publisher.

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